Blue in the Face

  • January 18, 2015 / 16:00
  • January 28, 2015 / 19:00

Directors: Wayne Wang, Paul Auster
Cast: Harvey Keitel, Lou Reed, Michael J. Fox
USA; 83’, 1995, color
English with Turkish subtitles

Wayne Wang's follow-up movie to Smoke presents a series of improvisational situations strung together to form a pastiche of Brooklyn's diverse ethnicity, offbeat humor and essential humanity. Many of the same characters inhabiting Auggie Wren's Brooklyn Cigar Store in Smoke return here to expound on their philosophy of smoking, relationships, baseball, New York, and Belgian Waffles. Most of all, this is a movie about living life, off-the-cuff.

Coffee and Cigarettes

Coffee and Cigarettes

A Film About Coffee

A Film About Coffee

Coffee: Between Reality and Imagination

Coffee: Between Reality and Imagination

Hot Coffee

Hot Coffee

Straight to Hell

Straight to Hell

Smoke

Smoke

Blue in the Face

Blue in the Face

Inside Llewyn Davis

Inside Llewyn Davis

Coffee Futures

Coffee Futures

A Cup of Turkish Coffee

A Cup of Turkish Coffee

Trailer

Blue in the Face

Artist Nicola Lorini in Conversation

Artist Nicola Lorini in Conversation

Inspired by its Anatolian Weights and Measures Collection, Pera Museum presents a contemporary video installation titled For All the Time, for All the Sad Stones at the gallery that hosts the Collection. The installation by the artist Nicola Lorini takes its starting point from recent events, in particular the calculation of the hypothetical mass of the Internet and the weight lost by the model of the kilogram and its consequent redefinition, and traces a non-linear voyage through the Collection.

Los Caprichos

Los Caprichos

It can be seen how Goya gradually and constantly investigated all the technical possibilities of creative engraving from etching to lithography. 

At The Well

At The Well

Tadeusz Ajdukiewicz discovered the Orient in 1877, touring Syria, Egypt, Turkey, and the Crimea with Władysław Branicki. This experience made a profound impression on him, and he was to continuously revisit Eastern themes in his works for the rest of his life.