Blue in the Face

  • January 18, 2015 / 16:00
  • January 28, 2015 / 19:00

Directors: Wayne Wang, Paul Auster
Cast: Harvey Keitel, Lou Reed, Michael J. Fox
USA; 83’, 1995, color
English with Turkish subtitles

Wayne Wang's follow-up movie to Smoke presents a series of improvisational situations strung together to form a pastiche of Brooklyn's diverse ethnicity, offbeat humor and essential humanity. Many of the same characters inhabiting Auggie Wren's Brooklyn Cigar Store in Smoke return here to expound on their philosophy of smoking, relationships, baseball, New York, and Belgian Waffles. Most of all, this is a movie about living life, off-the-cuff.

Coffee and Cigarettes

Coffee and Cigarettes

A Film About Coffee

A Film About Coffee

Coffee: Between Reality and Imagination

Coffee: Between Reality and Imagination

Hot Coffee

Hot Coffee

Straight to Hell

Straight to Hell

Smoke

Smoke

Blue in the Face

Blue in the Face

Inside Llewyn Davis

Inside Llewyn Davis

Coffee Futures

Coffee Futures

A Cup of Turkish Coffee

A Cup of Turkish Coffee

Trailer

Blue in the Face

It’s better to burn out than to fade away

It’s better to burn out than to fade away

In 1962 Philip Corner, one of the most prominent members of the Fluxus movement, caused a great commotion in serious music circles when during a performance entitled Piano Activities he climbed up onto a grand piano and began to kick it while other members of the group attacked it with saws, hammers and all kinds of other implements.

Soothsayer Serenades I Two-handed by Kübra Uzun

Soothsayer Serenades I Two-handed by Kübra Uzun

Today we are thrilled to present the first playlist of Amrita Hepi’s Soothsayer Serenades series as part of the Notes for Tomorrow exhibition. The playlist titled Two-handed is presented by Kübra Uzun on Pera Museum’s Spotify account.

Introducing… Turkish coffee!

Introducing… Turkish coffee!

Celebrating its 10th anniversary this year, Pera Museum invites artist Benoît Hamet to reinterpret key pieces from its collections, casting a humourous eye over ‘historical’ events, both imagined and factual.