Director: Ahmed Imamovic
Cast: Sadzida Steic, Nermin Tulic, Emina Muftic
Bosnia and Herzegovina, 2010, 90’, color
Bosnian with Turkish subtitles
Ruveyda is like most residents of the Belvedere refugee camp: a widow yearning to forget the tragedy of war, fifteen years after the ethnic cleansing of Bosnia and Herzegovina. But unlike those around her, she spends most of her days in a bittersweet routine of caring for her extended family, and searching for the remains of her husband and son—both of which offer a precarious hope that is one day tested when her nephew is selected to participate in a reality show in a former enemy enclave. An emotionally rich portrait of war’s troubled aftermath, director Ahmed Imamović’s film paints an uncommon image of patience, faith, love, and above all, forgiveness.
Trailer
Coffee was served with much splendor at the harems of the Ottoman palace and mansions. First, sweets (usually jam) was served on silverware, followed by coffee serving. The coffee jug would be placed in a sitil (brazier), which had three chains on its sides for carrying, had cinders in the middle, and was made of tombac, silver or brass. The sitil had a satin or silk cover embroidered with silver thread, tinsel, sequin or even pearls and diamonds.
1638, the year Louis XIV was born –his second name, Dieudonné, alluding to his God-given status– saw the diffusion of a cult of maternity encouraged by the very devout Anne of Austria, in thanks for the miracle by which she had given birth to an heir to the French throne. Simon François de Tours (1606-1671) painted the Queen in the guise of the Virgin Mary, and the young Louis XIV as the infant Jesus, in the allegorical portrait now in the Bishop’s Palace at Sens.
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