Belvedere

  • September 19, 2015 / 15:00
  • September 26, 2015 / 16:00

Director: Ahmed Imamovic
Cast: Sadzida Steic, Nermin Tulic, Emina Muftic
Bosnia and Herzegovina, 2010, 90’, color
Bosnian with Turkish subtitles

Ruveyda is like most residents of the Belvedere refugee camp: a widow yearning to forget the tragedy of war, fifteen years after the ethnic cleansing of Bosnia and Herzegovina. But unlike those around her, she spends most of her days in a bittersweet routine of caring for her extended family, and searching for the remains of her husband and son—both of which offer a precarious hope that is one day tested when her nephew is selected to participate in a reality show in a former enemy enclave. An emotionally rich portrait of war’s troubled aftermath, director Ahmed Imamović’s film paints an uncommon image of patience, faith, love, and above all, forgiveness.

Halima’s Path

Halima’s Path

One Day in Sarajevo

One Day in Sarajevo

Flotel Europa

Flotel Europa

Belvedere

Belvedere

Self Reflection

Self Reflection

Trailer

Belvedere

The First Nudes

The First Nudes

Men were the first nudes in Turkish painting. The majority of these paintings were academic studies executed in oil paint; they were part of the education of artists that had finally attained the opportunity to work from the live model. The gender of the models constituted an obstacle in the way of characterizing these paintings as ‘nudes’. 

Giorgio de Chirico

Giorgio de Chirico

Giorgio de Chirico was born on July 10, 1888, in Volos, Greece, to an Italian family. His mother, Gemma Cervetto, was from a family of Genoa origin, but most likely she was born in Izmir. His father, Evaristo, was born on June 21, 1841 in the Büyükdere district of Istanbul.

Giacometti & the Human Figure

Giacometti & the Human Figure

Giacometti worked nonstop on his sculptures, either from nature or from memory, trying to capture the universal facial expressions.