Belvedere

  • September 19, 2015 / 15:00
  • September 26, 2015 / 16:00

Director: Ahmed Imamovic
Cast: Sadzida Steic, Nermin Tulic, Emina Muftic
Bosnia and Herzegovina, 2010, 90’, color
Bosnian with Turkish subtitles

Ruveyda is like most residents of the Belvedere refugee camp: a widow yearning to forget the tragedy of war, fifteen years after the ethnic cleansing of Bosnia and Herzegovina. But unlike those around her, she spends most of her days in a bittersweet routine of caring for her extended family, and searching for the remains of her husband and son—both of which offer a precarious hope that is one day tested when her nephew is selected to participate in a reality show in a former enemy enclave. An emotionally rich portrait of war’s troubled aftermath, director Ahmed Imamović’s film paints an uncommon image of patience, faith, love, and above all, forgiveness.

Halima’s Path

Halima’s Path

One Day in Sarajevo

One Day in Sarajevo

Flotel Europa

Flotel Europa

Belvedere

Belvedere

Self Reflection

Self Reflection

Trailer

Belvedere

From two portraits of children…

From two portraits of children…

The Suna and İnan Kıraç Foundation’s Orientalist Painting Collection includes two children’s portraits that are often featured in exhibitions on the second floor of the Pera Museum. These portraits both date back to the early 20th century, and were made four years apart. One depicts Prince Abdürrahim Efendi, son of Sultan Abdulhamid II, while the figure portrayed on the other is Nazlı, the daughter of Osman Hamdi Bey.

Return from Vienna

Return from Vienna

Józef Brandt harboured a fascination for the history of 17th century Poland, and his favourite themes included ballistic scenes and genre scenes before and after the battle proper –all and sundry marches, returns, supply trains, billets and encampments, patrols, and similar motifs illustrating the drudgery of warfare outside of its culminating moments.

It’s better to burn out than to fade away

It’s better to burn out than to fade away

In 1962 Philip Corner, one of the most prominent members of the Fluxus movement, caused a great commotion in serious music circles when during a performance entitled Piano Activities he climbed up onto a grand piano and began to kick it while other members of the group attacked it with saws, hammers and all kinds of other implements.