Flotel Europa

  • September 20, 2015 / 15:00
  • September 26, 2015 / 14:00

Director: Vladimir Tomic
Denmark, Serbia, 2015, 70’, color

Bosnian with Turkish subtitles

In 1992 a wave of refugees from the war in Bosnia and Herzegovina reached Denmark. With existing refugee camps completely full, the Red Cross pulled a giant ship into the canals of Copenhagen. The ship, Flotel Europa, became a temporary home for a thousand people waiting for decisions on their asylum applications. Among them was a 12-year-old boy, Vladimir, who fled Sarajevo with his mother and older brother. They spent two years in limbo at Flotel Europa. Two decades later, director Vladimir Tomić takes us on a journey of growing up on this ship filled with echoes of the war — and other ordeals of an adolescent. This coming-of-age story is juxtaposed with personal VHS archive material shot by refugees who shared the “space-time vacuum” of the Flotel.

Halima’s Path

Halima’s Path

One Day in Sarajevo

One Day in Sarajevo

Flotel Europa

Flotel Europa

Belvedere

Belvedere

Self Reflection

Self Reflection

Trailer

Flotel Europa

Nudes With Mirrors

Nudes With Mirrors

Although mythological themes are not commonly encountered in Turkish painting, it is possible to see variations of widespread themes such as the Venus at her Toilet. 

Dizzying Expression of Fear and Doom Tsang Kin-Wah

Dizzying Expression of Fear and Doom Tsang Kin-Wah

Pera Museum, in collaboration with Istanbul Foundation for Culture and Arts (İKSV), is one of the main venues for this year’s 15th Istanbul Biennial from 16 September to 12 November 2017.  Through the biennial, we will be sharing detailed information about the artists and the artworks. 

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Pera Museum presented a talk on Nicola Lorini’s video installation For All the Time, for All the Sad Stones, bringing together the artists Nicola Lorini, Gülşah Mursaloğlu and Ambiguous Standards Institute to focus on concepts like measuring, calculation, standardisation, time and change.