Director: François Caillat
France, color, 2001, 113’
French with Turkish subtitles
The narrator recounts his amorous youth in Paris in the 1970s: a tale of headlong, head-over-heels initiation into love, an intimate story as well as the adventure of a generation, a film about the difficulty of loving. By interspersing the city’s neighborhoods with fragments of letters, photos of young women, and music of the day, the film constructs an amorous geography of Paris: that of the author, who for fifteen years there experienced the discoveries and excesses of his youth, as a counterpoint, one or two super-8 picture of journeys-the counter-culture in the United States, and later the military dictatorship in Chile-call to mind how that period was.
In 1962 Philip Corner, one of the most prominent members of the Fluxus movement, caused a great commotion in serious music circles when during a performance entitled Piano Activities he climbed up onto a grand piano and began to kick it while other members of the group attacked it with saws, hammers and all kinds of other implements.
The man is depicted in three-quarters view, turning straight to the viewers with a penetrating glance. The background is grey, while the clothes, the hair, and cap are black.
I walk over rocks hot as iron under the September sun. I can make out a few lines in the distance, and a few cracked rocks, but apart from those, not a single tree, not one plant
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On Wednesdays, the students can
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