Director: François Caillat
France, color, 2004, 75’
French with Turkish subtitles
A filmmaker travels through the mountain villages along the shores of Alpine lakes to investigate the disappearance of Valérie 20 years ago. She allegedly murdered a Canadian tourist before disappearing without a trace. At least that is how the narrator remembers the story, while passing through the region at the time. Over the course of the interviews, the elusive Valérie seems to disappear a second time, literally engulfed by the Alpine landscape, magnificently captured on film by François Caillat. A haunting, imposing landscape, where chasms and precipices become metaphors, characters in a work of fiction that the camera turns into a documentary. It is a film in the form of an essay in which the director takes his work on memory to its highest degree of abstraction.
Three people sleeping side by side. On the uncomfortable seats of the stuffy airplane in the air. Three friends. I’m the friend in the window seat. The other two are a couple, Emre and Melisa. I’m alone, they are together. And another difference. I’ve only closed my eyes. They are asleep.
Pera Museum, in collaboration with Istanbul Foundation for Culture and Arts (İKSV), is one of the main venues for this year’s 15th Istanbul Biennial from 16 September to 12 November 2017.
I think it was Frank Zappa – though others claim it was Laurie Anderson – who said in an interview that ‘writing on music is much like dancing on architecture’.
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