Director: François Caillat
France, color, 2001, 75’
French with Turkish subtitles
Based on a macabre event, the exhumation of the corpse of an unknown solider, this film brings together the strands of a complex, fast-moving story played out over 100 years in Lorraine. In it we come upon thwarted destines, brutal deaths, and exile. Through one of two characters straight out of novels, we discover the adventure of the 20th century, seen though the prism of the wars between France and Germany, and the final throes of the French nation before adopting a European identity which transcends it. This film is an investigation into the “scenes of crime”.
Three people sleeping side by side. On the uncomfortable seats of the stuffy airplane in the air. Three friends. I’m the friend in the window seat. The other two are a couple, Emre and Melisa. I’m alone, they are together. And another difference. I’ve only closed my eyes. They are asleep.
It can be seen how Goya gradually and constantly investigated all the technical possibilities of creative engraving from etching to lithography.
A series of small and rather similar nudes Bedri Rahmi Eyüboğlu and Eren Eyüboğlu produced in the early 1930s almost resemble a ‘visual conversation’ that focus on a pictorial search. It is also possible to find the visual reflections of this earlier search in the synthesis Bedri Rahmi Eyüboğlu reached with his stylistic abstractions in the 1950s.
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The museum is closed on Mondays.
On Wednesdays, the students can
visit the museum free of admission.
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