Director: François Caillat
France, color, 1997, 80’
French with Turkish subtitles
La Quatrième génération traces the rise and fall of a family involved in the timber industry in Moselle from 1870 to its decline in the present day. This emblematic family saga reflects the history of a region and the ups and downs of its prosperity. Above all, the film reveals a strange national density; in the space of a single century, the governance of Lorraine switched back and forth between France and Germany five times. The fourth generation, which the filmmaker belongs to, is the one that came “afterwards”, when the game was over and only memories were left.
Following the opening of his studio, “El Chark Societe Photographic,” on Beyoğlu’s Postacılar Caddesi in 1857, the Levantine-descent Pascal Sébah moves to yet another studio next to the Russian Embassy in 1860 with a Frenchman named A. Laroche, who, apart from having worked in Paris previously, is also quite familiar with photographic techniques.
Coffee was served with much splendor at the harems of the Ottoman palace and mansions. First, sweets (usually jam) was served on silverware, followed by coffee serving. The coffee jug would be placed in a sitil (brazier), which had three chains on its sides for carrying, had cinders in the middle, and was made of tombac, silver or brass. The sitil had a satin or silk cover embroidered with silver thread, tinsel, sequin or even pearls and diamonds.
Due to its existence behind closed doors, the lifestyle and attires of the women in the Harem have been one of the most fascinating topics for western painters and art enthusiasts alike.
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