Toute une nuit

  • May 17, 2025 / 17:00
  • June 13, 2025 / 20:30

Director: Chantal Akerman
Cast: Aurore Clément, Tchéky Karyo, Angelo Abazoglou, Jan Decorte
Belgium, France, 1982, 93', DCP, color
French and English with Turkish subtitles

A sultry summer night in Brussels. As the city settles down from the day’s hustle, loneliness, desire, and chance encounters quietly roam through streets, hotel rooms, and phone booths.

In this film, rhythmically edited like a dance, Chantal Akerman speaks not through dialogues but through bodies, glances, and the texture of the night. Characters do not intersect but share a common emotion—leaving, waiting, searching, finding, or losing. With time giving way to feelings, the film becomes a powerful mosaic of countless stories unfolding over a single night.

The film was restored by the Royal Film Archive of Belgium (CINEMATEK), Fondation Chantal Akerman, and Amazing Studios (Paris).

Screened with the support of Fondation Chantal Akerman.

The Man Who Had His Hair Cut Short

The Man Who Had His Hair Cut Short

The Great Barrier Reef

The Great Barrier Reef

Toute une nuit

Toute une nuit

Short Film Selection – 1

Short Film Selection – 1

Short Film Selection – 2

Short Film Selection – 2

İstanbul: Before & After

İstanbul: Before & After

Selected from the Suna and İnan Kıraç Foundation Photography Collection, we present the landscapes and places in Istanbul photographs, dating from the 1850s to the 1980s, together with their present-day views!

The Ottoman Way of Serving Coffee

The Ottoman Way of Serving Coffee

Coffee was served with much splendor at the harems of the Ottoman palace and mansions. First, sweets (usually jam) was served on silverware, followed by coffee serving. The coffee jug would be placed in a sitil (brazier), which had three chains on its sides for carrying, had cinders in the middle, and was made of tombac, silver or brass. The sitil had a satin or silk cover embroidered with silver thread, tinsel, sequin or even pearls and diamonds.

Symbols

Symbols

Pera Museum’s Cold Front from the Balkans exhibition curated by Ali Akay and Alenka Gregorič brings together contemporary artists from Albania, Bosnia and Herzegovina, Bulgaria, Croatia, Kosovo, Macedonia, Montenegro, Romania, Serbia and Slovenia.