Directors: Sergey Parajanov, Dodo Abashidze
Cast: Veriko Anjaparidze, Tamari Tsitsishvili, Dudukhana Tserodze, Dodo Abashidze
Soviet Union, 1985, 83', color
Georgian with Turkish subtitles
Directors Sergey Parajanov and Dodo Abashidze resurrected an old Soviet Georgian folktale as the basis for their film The Legend of Suram Fortress. The fortress in question is forever under construction and forever collapsing before the last brick can be laid. The advice of a fortuneteller is sought out; the young fellow sent out to seek this advice happens to be the son of a man who years earlier had jilted the fortuneteller. Out of pique, she tells him that he must be walled up in the fortress' wall, else the structure will continue to tumble. So many ancient legends are based upon self-sacrifice that one would think that Legend of Suram Fortress would have nothing new to offer--and one would be quite unfair to this well-crafted film to think along those lines.
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Coffee was served with much splendor at the harems of the Ottoman palace and mansions. First, sweets (usually jam) was served on silverware, followed by coffee serving. The coffee jug would be placed in a sitil (brazier), which had three chains on its sides for carrying, had cinders in the middle, and was made of tombac, silver or brass. The sitil had a satin or silk cover embroidered with silver thread, tinsel, sequin or even pearls and diamonds.
In 1998 Ben Jakober and Yannick Vu collaborated on an obvious remake of Marcel Duchamp’s Roue de Bicyclette, his first “readymade” object. Duchamp combined a bicycle wheel, a fork and a stool to create a machine which served no purpose, subverting accepted norms of art.
Pera Museum’s Cold Front from the Balkans exhibition curated by Ali Akay and Alenka Gregorič brings together contemporary artists from Albania, Bosnia and Herzegovina, Bulgaria, Croatia, Kosovo, Macedonia, Montenegro, Romania, Serbia and Slovenia.
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