Ashik Kerib

  • January 13, 2019 / 15:00
  • January 23, 2019 / 19:00

Directors: Sergey Parajanov, Dodo Abashidze
Cast: Yuri Mgoyan, Sofiko Chiaureli, Ramaz Chkhikvadze, Konstantin Stepankov
Soviet Union, 1988, 74', color
Azerbaijani, Georgian with Turkish subtitles

A beautiful poor artist is banished by the rich father of the girl he loves for a thousand and one nights in order to collect the money he needs to marry his loved one, but not before he gets her to promise she will not marry another one before he returns. The last movie of the tormented by the soviet regime Parajanov, dedicated to Andrei Tarkovsky that stood by his side, based on a small story of Mikhail Lermodov, which is as the previous movies of this director, a tableau vivant of traditional symbolisms and surreal fluidity. A medieval fantasy with music from Azerbaijan, Turkey and Georgia.

Free admissions. Drop in, no reservations.

in collaboration

Andriesh

Andriesh

The First Lad

The First Lad

Ukrainian Rhapsody

Ukrainian Rhapsody

Flower on the Stone

Flower on the Stone

Shadows of Forgotten Ancestors

Shadows of Forgotten Ancestors

Hakob Hovnatanyan

Hakob Hovnatanyan

The Color of Pomegranates

The Color of Pomegranates

The Seasons of the Year

The Seasons of the Year

The Legend of Suram Fortress

The Legend of Suram Fortress

Arabesques on the Pirosmani Theme

Arabesques on the Pirosmani Theme

Ashik Kerib

Ashik Kerib

Parajanov: A Requiem

Parajanov: A Requiem

Sergey Parajanov: The Rebel

Sergey Parajanov: The Rebel

The Ottoman Way of Serving Coffee

The Ottoman Way of Serving Coffee

Coffee was served with much splendor at the harems of the Ottoman palace and mansions. First, sweets (usually jam) was served on silverware, followed by coffee serving. The coffee jug would be placed in a sitil (brazier), which had three chains on its sides for carrying, had cinders in the middle, and was made of tombac, silver or brass. The sitil had a satin or silk cover embroidered with silver thread, tinsel, sequin or even pearls and diamonds.

Marcel Duchamp’s Bicycle Wheel

Marcel Duchamp’s Bicycle Wheel

In 1998 Ben Jakober and Yannick Vu collaborated on an obvious remake of Marcel Duchamp’s Roue de Bicyclette, his first “readymade” object. Duchamp combined a bicycle wheel, a fork and a stool to create a machine which served no purpose, subverting accepted norms of art. 

Symbols

Symbols

Pera Museum’s Cold Front from the Balkans exhibition curated by Ali Akay and Alenka Gregorič brings together contemporary artists from Albania, Bosnia and Herzegovina, Bulgaria, Croatia, Kosovo, Macedonia, Montenegro, Romania, Serbia and Slovenia.