The Cloth Peddler

  • January 25, 2014 / 16:00
  • February 2, 2014 / 16:00

Director: Nikolai Leshenko, Reza Tahmasib
Cast: Rashid Behbudov, Leila Bedirbeili, Lutfali Abdullayev
Azerbaijan; 95’, 1945, color
Azerbaijani with Turkish subtitles

The operetta “The Cloth Peddler/Arşın Mal Alan” a world-famous musical comedy from Azerbaijan was composed by legendary Azerbaijani composer Üzeyir Hacıbeyli. This comic and romantic operetta, which was ahead of its time and rich in national characteristics and realism, is about pure love, women’s rights, fight against outdated traditions, and aspiration for modern way of life free of damaging customs. Young Asgar wants to get married. He is a rich, successful businessman and has everything he could wish for except for one thing – a wife. Tradition does not allow him to choose his own bride. Marriages are customarily arranged and, in fact, it’s impossible for young men to even catch a glimpse of potential brides as they are secluded in their homes and never come out unveiled or unaccompanied. So Asker wanders from house to house as a poor peddler selling fabric. Eventually, he meets Gülçehre, the beautiful daughter of Sultan bey, a wealthy merchant. Asgar decides Gülçehre is the one he wants to marry. She, too, falls in love with him, although she knows him only as a peddler.

The Cloth Peddler

The Cloth Peddler

The Bat

The Bat

Buta

Buta

Fortress

Fortress

Holy Animal

Holy Animal

40th Door

40th Door

Chovkan

Chovkan

Steppe Man

Steppe Man

Janine Antoni Look At Me!

Janine Antoni Look At Me!

The exhibition Look at Me! Portraits and Other Fictions from the ”la Caixa” Contemporary Art Collection examines portraiture, one of the oldest artistic genres, through a significant number of works of our times. Through the exhibition we will be sharing about the artists and sections in Look At Me!. This time we are sharing about Janine Antoni , exhibited under the section “The Conventions of Identitiy”!

Midnight Stories: COGITO <br> Tevfik Uyar

Midnight Stories: COGITO
Tevfik Uyar

He had imagined the court room as a big place. It wasn’t. It was about the size of his living room, with an elevation at one end, with a dais on it. The judges and the attorneys sat there. Below it was an old wooden rail, worn out in some places. That was his place. There was another seat for his lawyer. At the back, about 20 or 30 chairs were stowed out for the non-existent crowd.

Giacometti: Early Works

Giacometti: Early Works

Organized in collaboration with the Giacometti Foundation, Paris, the exhibition explores Giacometti’s prolific life, most of which the artist led in his studio in Montparnasse, through the works of his early period as well his late work, including one unfinished piece. Devoted to Giacometti’s early works, the first part of the exhibition demonstrates the influence of Giovanni Giacometti, the father of the artist and a Swiss Post-Impressionist painter himself, on Giacometti’s output during these years and his role in his son’s development.