Director: Nikolai Leshenko, Reza Tahmasib
Cast: Rashid Behbudov, Leila Bedirbeili, Lutfali Abdullayev
Azerbaijan; 95’, 1945, color
Azerbaijani with Turkish subtitles
The operetta “The Cloth Peddler/Arşın Mal Alan” a world-famous musical comedy from Azerbaijan was composed by legendary Azerbaijani composer Üzeyir Hacıbeyli. This comic and romantic operetta, which was ahead of its time and rich in national characteristics and realism, is about pure love, women’s rights, fight against outdated traditions, and aspiration for modern way of life free of damaging customs. Young Asgar wants to get married. He is a rich, successful businessman and has everything he could wish for except for one thing – a wife. Tradition does not allow him to choose his own bride. Marriages are customarily arranged and, in fact, it’s impossible for young men to even catch a glimpse of potential brides as they are secluded in their homes and never come out unveiled or unaccompanied. So Asker wanders from house to house as a poor peddler selling fabric. Eventually, he meets Gülçehre, the beautiful daughter of Sultan bey, a wealthy merchant. Asgar decides Gülçehre is the one he wants to marry. She, too, falls in love with him, although she knows him only as a peddler.
In 1962 Philip Corner, one of the most prominent members of the Fluxus movement, caused a great commotion in serious music circles when during a performance entitled Piano Activities he climbed up onto a grand piano and began to kick it while other members of the group attacked it with saws, hammers and all kinds of other implements.
Organized in collaboration with the Giacometti Foundation, Paris, the exhibition explores Giacometti’s prolific life, most of which the artist led in his studio in Montparnasse, through the works of his early period as well his late work, including one unfinished piece. Devoted to Giacometti’s early works, the first part of the exhibition demonstrates the influence of Giovanni Giacometti, the father of the artist and a Swiss Post-Impressionist painter himself, on Giacometti’s output during these years and his role in his son’s development.
A firm believer in the idea that a collection needs to be upheld at least by four generations and comparing this continuity to a relay race, Nahit Kabakcı began creating the Huma Kabakcı Collection from the 1980s onwards. Today, the collection can be considered one of the most important and outstanding examples among the rare, consciously created, and long-lasting ones of its kind in Turkey.
Tuesday - Friday 11.00 - 17.00
The museum is closed on Saturdays,
Sundays and Mondays.
On Wednesdays, the students can
visit the museum free of admission.
Full ticket: 25 TL
Discounted: 10 TL
Groups: 20 TL (10 people or more)
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