The Bat

  • February 1, 2014 / 18:00
  • February 2, 2014 / 14:00

Director: Ayaz Salayev
Cast: Mariya Lipkina, Rasim Balayev, Tolib Khamidov
Azerbaijan; 78’, 1995, color
Azerbaijani with Turkish subtitles

Dedicated to the centenary of cinema, Ayaz Salayev’s striking, offbeat and intriguing film takes a classical triangular love story and fills it with references to the literature, music and cinema of the West. Set in the late 1920s in a dusty city (presumably Baku), an elliptical narrative is used to tell the romantic story of a young actress, her older, erudite husband and her raffish lover. The husband is steeped in the arts, and lectures on ‘The World of Fantasy.’ Much of the action unfolds in and around a cinema where, in the early scenes, silent classics (ie. The Golem and The Cabinet of Dr. Caligari) are screened to piano accompaniment while the woman, Turan, and her husband watch in rapt attention. Yarasa is unquestionably an unusual, at times startling film, shot with a rigorous eye to detail. For example, director Salajev uses repeated images of the same streets, at different times of the day and year, but always shot from precisely the same position to aid the narrative progression.

The Cloth Peddler

The Cloth Peddler

The Bat

The Bat

Buta

Buta

Fortress

Fortress

Holy Animal

Holy Animal

40th Door

40th Door

Chovkan

Chovkan

Steppe Man

Steppe Man

The Conventions of Identity

The Conventions of Identity

The exhibition “Look At Me! Portraits and Other Fictions from the ”la Caixa” Contemporary Art Collection” examined portraiture, one of the oldest artistic genres, through a significant number of works of our times. Paintings, photographs, sculptures and videos shaped a labyrinth of gazes that invite spectators to reflect themselves in the social mirror of portraits.

The Welcoming of Venetian Balios to Ottoman Lands

The Welcoming of Venetian Balios to Ottoman Lands

The series of paintings depicting the audience ceremonies of European ambassadors hold a unique place among the works of Jean-Baptiste Vanmour of Valenciennes, who lived in İstanbul from 1699 until his death in 1737.

Game of Mangala

Game of Mangala

Three figures in Eastern dress are shown in repose against an exotic landscape, smoking pipes and playing mangala. Inventories of the royal collections from 1739 identify the members of this group as the royal eunuch Matthias and two odalisques.