The Bodyguard

  • May 2, 2015 / 14:00
  • May 8, 2015 / 21:00

Director: Ali Hamroyev
USSR, Uzbekistan, Tajikistan, 1979, 91’, color

Cast: Alexander Kaidanovsky, Anatoly Solonitsyn, Gulya Tashbayeva, Oleg Fedulov
Russian with Turkish subtitles

Like The Seventh Bullet, The Bodyguard is an example of the "Red Western," set again during the Basmachi Revolt of the 1920s. This time, however, the primary reference point is not Sergio Leone, but the classic Hollywood westerns of Budd Boetticher and Anthony Mann. When a Basmachi leader is captured, the Red Army enlists a veteran local hunter to escort the prisoner, accompanied by his servant and daughter, across difficult terrain, pursued every step of the way by a relentless Basmachi usurper and his soothsayer wife.

White, White Storks

White, White Storks

Bo Ba Bu

Bo Ba Bu

The Seventh Bullet

The Seventh Bullet

Man Follows Bırds

Man Follows Bırds

The Bodyguard

The Bodyguard

I Remember You

I Remember You

An Ottoman Ambassador and a French Bulldog at Covent Garden

An Ottoman Ambassador and a French Bulldog at Covent Garden

Celebrating its 10th anniversary this year, Pera Museum invites artist Benoît Hamet to reinterpret key pieces from its collections, casting a humourous eye over ‘historical’ events, both imagined and factual.

“My body is my sculpture” <br> Louise Bourgeois

“My body is my sculpture”
Louise Bourgeois

Pera Museum, in collaboration with Istanbul Foundation for Culture and Arts (İKSV), is one of the main venues for this year’s 15th Istanbul Biennial from 16 September to 12 November 2017. Through the biennial, we will be sharing detailed information about the artists and the artworks. 

The Conventions of Identity

The Conventions of Identity

The exhibition “Look At Me! Portraits and Other Fictions from the ”la Caixa” Contemporary Art Collection” examined portraiture, one of the oldest artistic genres, through a significant number of works of our times. Paintings, photographs, sculptures and videos shaped a labyrinth of gazes that invite spectators to reflect themselves in the social mirror of portraits.