Director: Ali Hamroyev
USSR, Uzbekistan, 1966, 82’, black & white
Cast: Lyutfi Sarymsakova, Sairam Isayeva, Bolot Bejshenaliyev, Khikmat Latypov, Mokhammed Rafikov
Russian with Turkish subtitles
In his first feature to receive international acclaim, Hamroyev took a painterly view of the landscape of the steppes while establishing his trademark theme of the role of atypical and rebellious women. Set in the rural village of White Storks, the story tackles the taboo subject of an extramarital affair. Strong-willed Malika, married but childless, is openly consorting with another man with whom she shares a seemingly tender bond. Even more fascinating than the trajectory of the affair itself is Hamroyev’s detailing of intricate, tradition-bound family relationships, and his depiction of customs including the violent, fast-paced horseback game of Buzkashi.
When we examine the Ottoman-themed paintings of indoor everyday life by western painters, musical entertainment attracts attention as a fundamental aspect of the lifestyle.
The various states of viewing nudity entered the Ottoman world on postcards before paintings. These postcards appeared in the 1890s, and became widespread in the 1910s, following the proclamation of the Second Constitutional Monarchy, traveling from hand to hand, city to city.
While Paula Rego belatedly was recognised as one of the leading feminist pioneers of her age, little has been written about her exploration of fluid sexuality. Indeed the current of sado-masochism in her drawings and paintings, has tended to encourage an understanding as a classic clash between the patriarchy and exploited women.
Tuesday - Saturday 10:00 - 19:00
Friday 10:00 - 22:00
Sunday 12:00 - 18:00
The museum is closed on Mondays.
On Wednesdays, the students can
visit the museum free of admission.
Full ticket: 300 TL
Discounted: 150 TL
Groups: 200 TL (minimum 10 people)
