Director: Ali Hamroyev
USSR, Uzbekistan, 1985, 92’, color
Cast: Vyacheslav Bogachyov, Zinaida Sharko, Liliya Gritsenko, Gulya Tashbayeva, Davlyat Khamraev
No dialogue
Ali Hamroyev has made but one theatrical feature in the last two decades: 1998’s decidedly offbeat Bo Ba Bu, a controversial cross-cultural sexual parable for which he lured French actress Arielle Dombasle to Uzbekistan. Dombasle (who is married to French philosopher Bernard-Henri Lévy) plays a blonde European woman who appears out of nowhere in the Central Asian desert. She is taken into captivity by two shepherds, Bo and Bu, who name her Ba and treat her as property and sexual object. The fact that Hamroyev’s drama is both trading in primal archetypes (the eternal triangle, male rivalry and sexual jealousy, women as commodities of exchange) and completely without dialogue (the characters communicate with grunts and gestures) suggests the allegorical nature of the exercise; to less sympathetic critics, the film treads into the territory of soft-core exploitation.
In the works of western painters, we encounter mosques as the primary architectural elements that reflect the identity of the city of Istanbul. Often we can recognize the depicted landscape as Istanbul simply from the mosques.
Pera Museum, in collaboration with Istanbul Foundation for Culture and Arts (İKSV), is one of the main venues for this year’s 15th Istanbul Biennial from 16 September to 12 November 2017.
Suggesting alternative models for new social and economic systems, SUPERFLEX works appear before us as energy systems, beverages, sculptures, copies, hypnosis sessions, infrastructure, paintings, plant nurseries, contracts, or specifically designed public spaces.
Tuesday - Saturday 10:00 - 19:00
Friday 10:00 - 22:00
Sunday 12:00 - 18:00
The museum is closed on Mondays.
On Wednesdays, the students can
visit the museum free of admission.
Full ticket: 300 TL
Discounted: 150 TL
Groups: 200 TL (minimum 10 people)
