Director: Ali Hamroyev
USSR, Uzbekistan, 1985, 92’, color
Cast: Vyacheslav Bogachyov, Zinaida Sharko, Liliya Gritsenko, Gulya Tashbayeva, Davlyat Khamraev
No dialogue
Ali Hamroyev has made but one theatrical feature in the last two decades: 1998’s decidedly offbeat Bo Ba Bu, a controversial cross-cultural sexual parable for which he lured French actress Arielle Dombasle to Uzbekistan. Dombasle (who is married to French philosopher Bernard-Henri Lévy) plays a blonde European woman who appears out of nowhere in the Central Asian desert. She is taken into captivity by two shepherds, Bo and Bu, who name her Ba and treat her as property and sexual object. The fact that Hamroyev’s drama is both trading in primal archetypes (the eternal triangle, male rivalry and sexual jealousy, women as commodities of exchange) and completely without dialogue (the characters communicate with grunts and gestures) suggests the allegorical nature of the exercise; to less sympathetic critics, the film treads into the territory of soft-core exploitation.
In his book exploring the cultural history of souvenirs, Rolf Potts discusses how such objects assume meaning through personal stories: Objects turn into memories with the stories they hold.
Pera Museum, in collaboration with Istanbul Foundation for Culture and Arts (İKSV), is one of the main venues for this year’s 15th Istanbul Biennial from 16 September to 12 November 2017. Through the biennial, we will be sharing detailed information about the artists and the artworks.
Giorgio de Chirico was born on July 10, 1888, in Volos, Greece, to an Italian family. His mother, Gemma Cervetto, was from a family of Genoa origin, but most likely she was born in Izmir. His father, Evaristo, was born on June 21, 1841 in the Büyükdere district of Istanbul.
Tuesday - Saturday 10:00 - 19:00
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The museum is closed on Mondays.
On Wednesdays, the students can
visit the museum free of admission.
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