Director: Erdoğan Tokatlı
Cast: Selma Güneri, Ediz Hun, Tijen Par, Ayfer Feray, Talat Gözbak, Kenan Pars, Aliye Rona, Senih Orkan, Nurhan Nur, Tuncel Kurtiz
Turkey, 1965, 90’, black & white
Turkish with French subtitles
Adapted to screen by Ayşe Şasa from her own short story, Last Birds is the directorial debut of Erdoğan Tokatlı, who employs a plain and simple narration. According to Agâh Özgüç, Last Birds is “a completely poetic cinema,” and according to Tokatlı, it is “a love story that [he] choose[s] to describe as ‘romantic reality.’” A student at a girls’ school, Ayşe meets Oğuz, an engineer who works in Anatolia. They begin a passionate love affair, but Ayşe’s family is too immersed in their own desires to care for her. They get Ayşe’s older sister Nesrin married, but when she does not meet their demands, they want to get Ayşe married.
In honour of Selma Güneri, a recipient of this year’s Cinema Honorary Awards.
The Academy of Fine Arts in Sarajevo was founded in 1972 as the first Academy of Fine Arts in Bosnia and Herzegovina and became one of the forerunners in Bosnian contemporary art. Academy continued its operation throughout the war years (1992-1995) in besieged Sarajevo and participated in important international art projects.
A series of small and rather similar nudes Bedri Rahmi Eyüboğlu and Eren Eyüboğlu produced in the early 1930s almost resemble a ‘visual conversation’ that focus on a pictorial search. It is also possible to find the visual reflections of this earlier search in the synthesis Bedri Rahmi Eyüboğlu reached with his stylistic abstractions in the 1950s.
Constituting the entirety of all the perceived aspects of an object creating their own order, form not only contains visual elements and characteristics, but can also help elucidate concepts.
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