Take Me Home

  • April 7, 2017 / 16:00
  • April 12, 2017 / 19:00

Director: Abbas Kiarostami
Iran, 2016, 16’, black & white
No dialogue

A kid leaves a football at a doorstep which slowly starts to roll down the stairs onto the street; keeps falling and falling... With this short film shot in Southern Italy, master director Abbas Kiarostami leaves behind a unique, 16-minute visual poem about the inescapable circle of life, which he completed shortly before passing away last year. The journey of the ball as it bounces with child-like exuberance, caught in the daily rhythm of life, and manages to find a place of its own through the act of falling is a perfectly simple, meditative, and subtle commentary.

This film will be shown before the screening of 76 Minutes, Seifollah Samadian’s film on Kiarostami, in memoriam Kirostami.

Last Birds

Last Birds

Summer Love

Summer Love

76 Minutes and 15 Seconds with Abbas Kiarostami

76 Minutes and 15 Seconds with Abbas Kiarostami

Take Me Home

Take Me Home

“My body is my sculpture” <br> Louise Bourgeois

“My body is my sculpture”
Louise Bourgeois

Pera Museum, in collaboration with Istanbul Foundation for Culture and Arts (İKSV), is one of the main venues for this year’s 15th Istanbul Biennial from 16 September to 12 November 2017. Through the biennial, we will be sharing detailed information about the artists and the artworks. 

Janine Antoni Look At Me!

Janine Antoni Look At Me!

The exhibition Look at Me! Portraits and Other Fictions from the ”la Caixa” Contemporary Art Collection examines portraiture, one of the oldest artistic genres, through a significant number of works of our times. Through the exhibition we will be sharing about the artists and sections in Look At Me!. This time we are sharing about Janine Antoni , exhibited under the section “The Conventions of Identitiy”!

Seaside Leisure

Seaside Leisure

Istanbul’s Seaside Leisure: Nostalgia from Sea Baths to Beaches exhibition brought together photographs, magazines, comics, objects, and books from various private and institutional collections, and told a nostalgic story while also addressing the change and socialization of the norms of how Istanbulites used their free time. Istanbul’s Seaside Leisure was a documentary testament of the radical transformations in the Republic’s lifestyle.