Take Me Home

  • April 7, 2017 / 16:00
  • April 12, 2017 / 19:00

Director: Abbas Kiarostami
Iran, 2016, 16’, black & white
No dialogue

A kid leaves a football at a doorstep which slowly starts to roll down the stairs onto the street; keeps falling and falling... With this short film shot in Southern Italy, master director Abbas Kiarostami leaves behind a unique, 16-minute visual poem about the inescapable circle of life, which he completed shortly before passing away last year. The journey of the ball as it bounces with child-like exuberance, caught in the daily rhythm of life, and manages to find a place of its own through the act of falling is a perfectly simple, meditative, and subtle commentary.

This film will be shown before the screening of 76 Minutes, Seifollah Samadian’s film on Kiarostami, in memoriam Kirostami.

Last Birds

Last Birds

Summer Love

Summer Love

76 Minutes and 15 Seconds with Abbas Kiarostami

76 Minutes and 15 Seconds with Abbas Kiarostami

Take Me Home

Take Me Home

The First Nudes

The First Nudes

Men were the first nudes in Turkish painting. The majority of these paintings were academic studies executed in oil paint; they were part of the education of artists that had finally attained the opportunity to work from the live model. The gender of the models constituted an obstacle in the way of characterizing these paintings as ‘nudes’. 

Good News from the Skies

Good News from the Skies

Inspired by the exhibition And Now the Good News, which focusing on the relationship between mass media and art, we prepared horoscope readings based on the chapters of the exhibition. Using the popular astrological language inspired by the effects of the movements of celestial bodies on people, these readings with references to the works in the exhibition make fictional future predictions inspired by the horoscope columns that we read in the newspapers with the desire to receive good news about our day. 

Seaside Leisure

Seaside Leisure

Istanbul’s Seaside Leisure: Nostalgia from Sea Baths to Beaches exhibition brought together photographs, magazines, comics, objects, and books from various private and institutional collections, and told a nostalgic story while also addressing the change and socialization of the norms of how Istanbulites used their free time. Istanbul’s Seaside Leisure was a documentary testament of the radical transformations in the Republic’s lifestyle.