Director: Seifollah Samadian
With: Abbas Kiarostami, Juliette Binoche, Massoud Kimiai, Jafar Panahi, Ali Reza Raiesian, Tahereh Ladanian, Hamideh Razavi
Iran, 2016, 76’, color
Farsi with Turkish and English subtitles
This film, which symbolizes the 76 years and 15 days that Iranian filmmaker Abbas Kiarostami lived in this realm, is unlike other documentaries. Instead of interviews and commentary, painter and photographer Seifollah Samadian, a collaborator and friend, shares selected private moments he recorded over the course of 25 years: Kiarostami wipes the steam off a car window reciting “Doesn’t every path lead to death” or enthusiastically reading the lines “On a snowy morning I run out, hatless and coatless, happy as a child”. Edited with austere lyricism, it would make the late maestro very happy.
Kiarostami’s short film Take Me Home will be shown before the screening of this film.
Among the most interesting themes in the oeuvre of Prassinos are cypresses, trees, and Turkish landscapes. The cypress woods in Üsküdar he saw every time he stepped out on the terrace of their house in İstanbul or the trees in Petits Champs must have been strong images of childhood for Prassinos.
I think it was Frank Zappa – though others claim it was Laurie Anderson – who said in an interview that ‘writing on music is much like dancing on architecture’.
1638, the year Louis XIV was born –his second name, Dieudonné, alluding to his God-given status– saw the diffusion of a cult of maternity encouraged by the very devout Anne of Austria, in thanks for the miracle by which she had given birth to an heir to the French throne. Simon François de Tours (1606-1671) painted the Queen in the guise of the Virgin Mary, and the young Louis XIV as the infant Jesus, in the allegorical portrait now in the Bishop’s Palace at Sens.
Tuesday - Friday 11.00 - 18.00
The museum is closed on Mondays,
Saturdays and Sundays.
On Wednesdays, the students can
visit the museum free of admission.
Full ticket: 25 TL
Discounted: 10 TL
Groups: 20 TL (10 people or more)
