Director:  Michelangelo Antonioni
Cast: Gabriele Ferzetti, Monica Vitti, Lea Massari
Italy, 143', 1960, black & white
Italian with Turkish subtitles

The first of Antonioni’s breakthrough film trilogy, L’avventura proved an “adventure” from its rough, perilous production to its troubled release, including charges of obscenity and immorality. Using a widescreen canvas for the first time, Antonioni’s signature experimental narrative style blossoms fully and radically around absence, initially in the form of a woman’s mysterious disappearance during a trip to an island. The ensuing search is composed of behaviors not fully comprehensible, desires abandoned and central plot points forgotten. Upon this dizzying post-war terrain, truth, love and happiness are unequally exchanged for money, sex and status, and all characters suffer from an emotional seasickness. Antonioni describes with stunning precision his indistinct, inarticulate explorers apprehensively treading toward, in his words, “the moral unknown.”

Story of a Love Affair

Story of a Love Affair

Red Desert

Red Desert

Zabriskie Point

Zabriskie Point

Identification of a Woman

Identification of a Woman

L’Avventura

L’Avventura

Blow-Up

Blow-Up

The Mystery of Oberwald

The Mystery of Oberwald

Shorts

Shorts

Portrait of Martín Zapater (1797)

Portrait of Martín Zapater (1797)

Martín Zapater y Clavería, born in Zaragoza on November 12th 1747, came from a family of modest merchants and was taken in to live with a well-to-do aunt, Juana Faguás, and her daughter, Joaquina de Alduy. He studied with Goya in the Escuelas Pías school in Zaragoza from 1752 to 1757 and a friendship arose between them which was to last until the death of Zapater in 1803. 

Museum of Shedding <br> Dayanita Singh

Museum of Shedding
Dayanita Singh

Pera Museum, in collaboration with Istanbul Foundation for Culture and Arts (İKSV), is one of the main venues for this year’s 15th Istanbul Biennial from 16 September to 12 November 2017.

 

The Conventions of Identity

The Conventions of Identity

The exhibition “Look At Me! Portraits and Other Fictions from the ”la Caixa” Contemporary Art Collection” examined portraiture, one of the oldest artistic genres, through a significant number of works of our times. Paintings, photographs, sculptures and videos shaped a labyrinth of gazes that invite spectators to reflect themselves in the social mirror of portraits.