Director:  Michelangelo Antonioni
Cast: Gabriele Ferzetti, Monica Vitti, Lea Massari
Italy, 143', 1960, black & white
Italian with Turkish subtitles

The first of Antonioni’s breakthrough film trilogy, L’avventura proved an “adventure” from its rough, perilous production to its troubled release, including charges of obscenity and immorality. Using a widescreen canvas for the first time, Antonioni’s signature experimental narrative style blossoms fully and radically around absence, initially in the form of a woman’s mysterious disappearance during a trip to an island. The ensuing search is composed of behaviors not fully comprehensible, desires abandoned and central plot points forgotten. Upon this dizzying post-war terrain, truth, love and happiness are unequally exchanged for money, sex and status, and all characters suffer from an emotional seasickness. Antonioni describes with stunning precision his indistinct, inarticulate explorers apprehensively treading toward, in his words, “the moral unknown.”

Story of a Love Affair

Story of a Love Affair

Red Desert

Red Desert

Zabriskie Point

Zabriskie Point

Identification of a Woman

Identification of a Woman

L’Avventura

L’Avventura

Blow-Up

Blow-Up

The Mystery of Oberwald

The Mystery of Oberwald

Shorts

Shorts

Is he sping on us?  <br>Vajiko Chachkhiani

Is he sping on us?
Vajiko Chachkhiani

Pera Museum, in collaboration with Istanbul Foundation for Culture and Arts (İKSV), is one of the main venues for this year’s 15th Istanbul Biennial from 16 September to 12 November 2017.

Rineke Dijkstra Look At Me!

Rineke Dijkstra Look At Me!

“The portrait tells us that there is an inner and an outer dimension of the human condition; it provides—or should provide—information about both the physical and psychological character of an individual.” 

Moscow Conceptualists

Moscow Conceptualists

Our institutions have been stuck on linear Neo-Platonic tracks for 24 centuries. These antiquated processes of deduction have lost their authority. Just like art it has fallen off its pedestal. Legal, educational and constitutional systems rigidly subscribe to these; they are 100% text based.