Director: Arsen A. Ostojic
Cast: Alma Prica, Olga Pakalovic, Mijo Jurisic
Croatia, Slovenia, Bosnia and Herzegovina, 2013, 93’ color
Bosnian, Croatian with Turkish subtitles
Halima’s Path tells the tragic but inspiring story of a good-natured woman Halima who tries, without success, to identify the remains of her son who was killed in the Bosnian War and buried in one of the many mass graves. She refuses to give blood for DNA analysis, hiding the fact that her son was secretly adopted and is not her biological son. She realizes that the only solution to finally find her son’s remains is to track down his biological mother who has not been seen for more than 20 years. But soon after finding her, a sequence of tragic events spirals out of control, with unexpected results.
Trailer
Constituting the entirety of all the perceived aspects of an object creating their own order, form not only contains visual elements and characteristics, but can also help elucidate concepts.
The second part of exhibition illustrates Alberto Giacometti’s relations with Post-Cubist artists and the Surrealist movement between 1922 and 1935, one of the important sculptures series he created during his first years in Paris, and the critical role he played in the art scene of the period.
If Manolo Valdés’s paintings convey a search for materiality, his sculpture does so even more. Today, sculpture has taken over most of his workspace, his time, and his efforts.
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