Food and Life: War and Peace in the Kitchen Garden

Director: Jean-Yves Collet
France, 90’, 2009, color
French with Turkish subtitles

Thousands of animals and one or two giants, the gardeners, inhabit this miniature jungle. “War and Peace in the Vegetable Patch” gets close to ladybird, aphis, and field mouse to give a poetic, sometimes funny, but always rigorously scientific narrative of the interactions between the garden’s vegetables and the other plants, animals and humans there. Chemicals are banned from this organic plot which, year after year amazes with its vegetables, flowers…and all kinds of creatures.

Food and Life: Food Beware, The French Organic Revolution

Food and Life: Food Beware, The French Organic Revolution

Food and Life: War and Peace in the Kitchen Garden

Food and Life: War and Peace in the Kitchen Garden

Food and Life: The World According to Monsanto

Food and Life: The World According to Monsanto

Food and Guts: Romantics Anonymous

Food and Guts: Romantics Anonymous

Food and Guts: Entre les Bras

Food and Guts: Entre les Bras

Food and Guts: Inventing Cuisine: Pierre Gagnaire

Food and Guts: Inventing Cuisine: Pierre Gagnaire

Food and Guts: Haute Cuisine

Food and Guts: Haute Cuisine

Food and Guts: A Matter of Taste

Food and Guts: A Matter of Taste

An Ottoman Ambassador and a French Bulldog at Covent Garden

An Ottoman Ambassador and a French Bulldog at Covent Garden

Celebrating its 10th anniversary this year, Pera Museum invites artist Benoît Hamet to reinterpret key pieces from its collections, casting a humourous eye over ‘historical’ events, both imagined and factual.

Soothsayer Serenades I Two-handed by Kübra Uzun

Soothsayer Serenades I Two-handed by Kübra Uzun

Today we are thrilled to present the first playlist of Amrita Hepi’s Soothsayer Serenades series as part of the Notes for Tomorrow exhibition. The playlist titled Two-handed is presented by Kübra Uzun on Pera Museum’s Spotify account.

Dancing on Architecture

Dancing on Architecture

I think it was Frank Zappa – though others claim it was Laurie Anderson – who said in an interview that ‘writing on music is much like dancing on architecture’.