The character of “Driver Nebahat” played by Sezer Sezin, who started her film career in 1944, is embraced by audiences so thoroughly–and became a nickname for her for many years–that sequels were made in 1964 and 1965. Indeed, with its social references that surpass the film itself, “Driver Nebahat” has become a phrase in daily life and used to refer to women who “became mannish” in the working life. The film tells the story of Nebahat, who has to do a traditionally man’s job in order to exist in the public arena and gain her economic independence, and poses the question: should a woman “become mannish” in order to survive in a men’s world?
Driver Nebahat will be screened in commemoration of Sezer Sezin.
Pera Museum’s Cold Front from the Balkans exhibition curated by Ali Akay and Alenka Gregorič brings together contemporary artists from Albania, Bosnia and Herzegovina, Bulgaria, Croatia, Kosovo, Macedonia, Montenegro, Romania, Serbia and Slovenia.
Coffee was served with much splendor at the harems of the Ottoman palace and mansions. First, sweets (usually jam) was served on silverware, followed by coffee serving. The coffee jug would be placed in a sitil (brazier), which had three chains on its sides for carrying, had cinders in the middle, and was made of tombac, silver or brass. The sitil had a satin or silk cover embroidered with silver thread, tinsel, sequin or even pearls and diamonds.
In 1998 Ben Jakober and Yannick Vu collaborated on an obvious remake of Marcel Duchamp’s Roue de Bicyclette, his first “readymade” object. Duchamp combined a bicycle wheel, a fork and a stool to create a machine which served no purpose, subverting accepted norms of art.
By using our website, you allow cookies. For more information, please visit our cookie policy.
Tuesday - Saturday 10:00 - 19:00
Friday 10:00 - 22:00
Sunday 12:00 - 18:00
The museum is closed on Mondays.
On Wednesdays, the students can
visit the museum free of admission.
Full ticket: 80 TL
Discounted: 40 TL
Groups: 60 TL (minimum 10 people)
