Artist: Katherine Behar
2013, 7', color
A powerful technological commodity, data seems poised to standardize the world by digitizing everything, transparently translating and transferring value under a universal standard of ones and zeros. Data is a contemporary manifestation of the same universal standards that began with physical weights and measures, but today's standards seem to have lost their weightiness. This animation cycle, showing a misshapen stone figure cloaked by wavering clouds of data and obscured by her own digital shadow, seeks to restore weight to data's measure. The project alludes to "cloud computing," a colloquial name for loosely networked, web-served applications and data storage that connotes an amorphous, innocuous nonentity. But to imagine the cloud as frictionless, immediate, or beyond critique is a "clouded" misperception that misses the gravity of these technologies. Inspired by the Pera Museum's Anatolian Weights and Measures Collection, Cloud Profiles: Weightless Measures was produced as a site-specific installation in the collection's permanent display, as part of the exhibition Katherine Behar: Data’s Entry.
Supported in part by a PSC-CUNY Award, jointly funded by the Professional Staff Congress and the City University of New York. Exhibitied: "Katherine Behar: Data's Entry" solo exhibition at Pera Museum between Sept 8–Oct 16, 2016, curated by Fatma Çolakoğlu and Ulya Soley.
Inspired by its Anatolian Weights and Measures Collection, Pera Museum presents a contemporary video installation titled For All the Time, for All the Sad Stones at the gallery that hosts the Collection. The installation by the artist Nicola Lorini takes its starting point from recent events, in particular the calculation of the hypothetical mass of the Internet and the weight lost by the model of the kilogram and its consequent redefinition, and traces a non-linear voyage through the Collection.
In 1493, exactly 500 years ago, Leonardo da Vinci was finishing the preparations for casting the equestrian monument (4 times life size), which Ludovico il Moro, Duke of Milan commissioned in memory of his father some 12 years earlier.
We meet at Marcel Dzama’s studio in Brooklyn on the occasion of his solo exhibition Dancing with the Moon at Pera Museum. On this freezing day in January, he welcomes us with a warm smile, and for a few hours, we step into his world filled with surreal characters, music, dance, politics, and play.
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