Cloud Profiles: Weightless Measures

Artist: Katherine Behar
2013, 7', color

A powerful technological commodity, data seems poised to standardize the world by digitizing everything, transparently translating and transferring value under a universal standard of ones and zeros. Data is a contemporary manifestation of the same universal standards that began with physical weights and measures, but today's standards seem to have lost their weightiness. This animation cycle, showing a misshapen stone figure cloaked by wavering clouds of data and obscured by her own digital shadow, seeks to restore weight to data's measure. The project alludes to "cloud computing," a colloquial name for loosely networked, web-served applications and data storage that connotes an amorphous, innocuous nonentity. But to imagine the cloud as frictionless, immediate, or beyond critique is a "clouded" misperception that misses the gravity of these technologies. Inspired by the Pera Museum's Anatolian Weights and Measures CollectionCloud Profiles: Weightless Measures was produced as a site-specific installation in the collection's permanent display, as part of the exhibition Katherine Behar: Data’s Entry.

Supported in part by a PSC-CUNY Award, jointly funded by the Professional Staff Congress and the City University of New York. Exhibitied: "Katherine Behar: Data's Entry" solo exhibition at Pera Museum between Sept 8–Oct 16, 2016, curated by Fatma Çolakoğlu and Ulya Soley.

Weights And Measures Issue Title Weight And Sea

Weights And Measures Issue Title Weight And Sea

Weights And Measures

Weights And Measures

Paperweights

Paperweights

Modern Scales

Modern Scales

Precision: The Measure of All Things

Precision: The Measure of All Things

Cloud Profiles: Weightless Measures

Cloud Profiles: Weightless Measures

For All the Time, for All the Sad Stones

For All the Time, for All the Sad Stones

The First Nudes

The First Nudes

Men were the first nudes in Turkish painting. The majority of these paintings were academic studies executed in oil paint; they were part of the education of artists that had finally attained the opportunity to work from the live model. The gender of the models constituted an obstacle in the way of characterizing these paintings as ‘nudes’. 

Horror Vacui <br> Alejandro Almanza Pereda

Horror Vacui
Alejandro Almanza Pereda

Pera Museum, in collaboration with Istanbul Foundation for Culture and Arts (İKSV), is one of the main venues for this year’s 15th Istanbul Biennial from 16 September to 12 November 2017.

Mosques in the 18th and 19th Century Paintings

Mosques in the 18th and 19th Century Paintings

In the works of western painters, we encounter mosques as the primary architectural elements that reflect the identity of the city of Istanbul. Often we can recognize the depicted landscape as Istanbul simply from the mosques.