For All the Time, for All the Sad Stones

Artist: Nicola Lorini
2019, 7', color

Inspired by its Anatolian Weights and Measures Collection, Pera Museum hosted a contemporary video installation titled For All the Time, for All the Sad Stones between September 5 - November 24, 2019 by artist Nicola Lorini. The installation was centered around a video with sound, and includes a set of sculptural objects made of different materials including sand, silicone and deer bones. Having taken its starting point from recent events, in particular the calculation of the hypothetical mass of the Internet and the loss of weight of the model of the kilogram and its consequent redefinition, the installation reminded us of the post anthropocentric understanding of time and history in these days when our social practices are fundamentally being changed.

Weights And Measures Issue Title Weight And Sea

Weights And Measures Issue Title Weight And Sea

Weights And Measures

Weights And Measures

Paperweights

Paperweights

Modern Scales

Modern Scales

Precision: The Measure of All Things

Precision: The Measure of All Things

Cloud Profiles: Weightless Measures

Cloud Profiles: Weightless Measures

For All the Time, for All the Sad Stones

For All the Time, for All the Sad Stones

Interview with Isabel Muñoz <br> By Merve Akar Akgün

Interview with Isabel Muñoz
By Merve Akar Akgün

Isabel Muñoz is a Spanish photographer renowned for her captivating monochromatic portraits of individuals and cultures from around the world. Her works have been widely exhibited in numerous galleries and museums globally. 

From two portraits of children…

From two portraits of children…

The Suna and İnan Kıraç Foundation’s Orientalist Painting Collection includes two children’s portraits that are often featured in exhibitions on the second floor of the Pera Museum. These portraits both date back to the early 20th century, and were made four years apart. One depicts Prince Abdürrahim Efendi, son of Sultan Abdulhamid II, while the figure portrayed on the other is Nazlı, the daughter of Osman Hamdi Bey.

Return from Vienna

Return from Vienna

Józef Brandt harboured a fascination for the history of 17th century Poland, and his favourite themes included ballistic scenes and genre scenes before and after the battle proper –all and sundry marches, returns, supply trains, billets and encampments, patrols, and similar motifs illustrating the drudgery of warfare outside of its culminating moments.