Director: Michal Varga
Czech Republic, Slovakia, 2018, 79’, color
Czech, English, Kinyarwanda with Turkish, English subtitle
Rosťa Novák, the principal of Cirk La Putyka ensemble, artistic workaholic and perfectionist, agrees to make a joint project with a group of acrobats from Rwanda. First time in his life, Rosťa travels to Africa, to create a circus show about clash of different cultures. There he met Elisée Niyonsenga, who survived the Rwandan genocide as a child and now trains a group comprised of orphaned children. The two troupes begin rehearsing in Rwanda and Prague in order to put together a true circus for the 21st century. Czech director Michal Varga’s documentary follows this difficult process which culminates in a performance at last year’s Letní Letná festival, and which is sometimes emotional, always dynamic, colourful, passing through prejudices, different cultures, painful backgrounds and different work disciplines.
Trailer
The New Year is more than just a date change on the calendar. It often marks a turning point where the weight of past experiences is felt or the uncertainty of the future is faced. This season, Pera Film highlights films that delve into themes of hope, regret, nostalgia, and new beginnings.
Suggesting alternative models for new social and economic systems, SUPERFLEX works appear before us as energy systems, beverages, sculptures, copies, hypnosis sessions, infrastructure, paintings, plant nurseries, contracts, or specifically designed public spaces.
Coffee was served with much splendor at the harems of the Ottoman palace and mansions. First, sweets (usually jam) was served on silverware, followed by coffee serving. The coffee jug would be placed in a sitil (brazier), which had three chains on its sides for carrying, had cinders in the middle, and was made of tombac, silver or brass. The sitil had a satin or silk cover embroidered with silver thread, tinsel, sequin or even pearls and diamonds.
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