Chris the Swiss

  • April 5, 2019 / 11:00
  • April 7, 2019 / 13:30

Director: Anja Kofmel
Switzerland, Croatia, Germany, Finland, 2018, 90’, color, b&w
German, Spanish, English with Turkish, English subtitle

Combining documentary and animation in her feature-length debut, Swiss filmmaker Anja Kofmel is trying to uncover the mystery surrounding the death of her young cousin who was killed under suspicious circumstances in the Yugoslavian civil war. Premiered at the Critics’ Week section of Cannes, Chris the Swiss underscores its narrative with poetically drawn, almost gothic monochromatic animation. Kofmel objectively probes the reasons that compel young men to heed the call of war in faraway lands and gives a touching elegy to doomed youth.

Chris the Swiss

Chris the Swiss

Dreamaway

Dreamaway

The Man Who Stole Banksy

The Man Who Stole Banksy

Monrovia, Indiana

Monrovia, Indiana

Young and Alive

Young and Alive

Circus Rwanda

Circus Rwanda

Meeting Gorbachev

Meeting Gorbachev

Don’t Work (1968 – 2018)

Don’t Work (1968 – 2018)

Putin’s Witnesses

Putin’s Witnesses

The Silence of Others

The Silence of Others

Our Defeats

Our Defeats

Finding Farideh

Finding Farideh

Trailer

Chris the Swiss

Giorgio de Chirico

Giorgio de Chirico

Giorgio de Chirico was born on July 10, 1888, in Volos, Greece, to an Italian family. His mother, Gemma Cervetto, was from a family of Genoa origin, but most likely she was born in Izmir. His father, Evaristo, was born on June 21, 1841 in the Büyükdere district of Istanbul.

I Copy Therefore I Am

I Copy Therefore I Am

Suggesting alternative models for new social and economic systems, SUPERFLEX works appear before us as energy systems, beverages, sculptures, copies, hypnosis sessions, infrastructure, paintings, plant nurseries, contracts, or specifically designed public spaces.

Good News from the Skies

Good News from the Skies

Inspired by the exhibition And Now the Good News, which focusing on the relationship between mass media and art, we prepared horoscope readings based on the chapters of the exhibition. Using the popular astrological language inspired by the effects of the movements of celestial bodies on people, these readings with references to the works in the exhibition make fictional future predictions inspired by the horoscope columns that we read in the newspapers with the desire to receive good news about our day.