Chris the Swiss

  • April 5, 2019 / 11:00
  • April 7, 2019 / 13:30

Director: Anja Kofmel
Switzerland, Croatia, Germany, Finland, 2018, 90’, color, b&w
German, Spanish, English with Turkish, English subtitle

Combining documentary and animation in her feature-length debut, Swiss filmmaker Anja Kofmel is trying to uncover the mystery surrounding the death of her young cousin who was killed under suspicious circumstances in the Yugoslavian civil war. Premiered at the Critics’ Week section of Cannes, Chris the Swiss underscores its narrative with poetically drawn, almost gothic monochromatic animation. Kofmel objectively probes the reasons that compel young men to heed the call of war in faraway lands and gives a touching elegy to doomed youth.

Chris the Swiss

Chris the Swiss

Dreamaway

Dreamaway

The Man Who Stole Banksy

The Man Who Stole Banksy

Monrovia, Indiana

Monrovia, Indiana

Young and Alive

Young and Alive

Circus Rwanda

Circus Rwanda

Meeting Gorbachev

Meeting Gorbachev

Don’t Work (1968 – 2018)

Don’t Work (1968 – 2018)

Putin’s Witnesses

Putin’s Witnesses

The Silence of Others

The Silence of Others

Our Defeats

Our Defeats

Finding Farideh

Finding Farideh

Trailer

Chris the Swiss

Good News from the Skies

Good News from the Skies

Inspired by the exhibition And Now the Good News, which focusing on the relationship between mass media and art, we prepared horoscope readings based on the chapters of the exhibition. Using the popular astrological language inspired by the effects of the movements of celestial bodies on people, these readings with references to the works in the exhibition make fictional future predictions inspired by the horoscope columns that we read in the newspapers with the desire to receive good news about our day. 

Symbols

Symbols

Pera Museum’s Cold Front from the Balkans exhibition curated by Ali Akay and Alenka Gregorič brings together contemporary artists from Albania, Bosnia and Herzegovina, Bulgaria, Croatia, Kosovo, Macedonia, Montenegro, Romania, Serbia and Slovenia.

The Ottoman Way of Serving Coffee

The Ottoman Way of Serving Coffee

Coffee was served with much splendor at the harems of the Ottoman palace and mansions. First, sweets (usually jam) was served on silverware, followed by coffee serving. The coffee jug would be placed in a sitil (brazier), which had three chains on its sides for carrying, had cinders in the middle, and was made of tombac, silver or brass. The sitil had a satin or silk cover embroidered with silver thread, tinsel, sequin or even pearls and diamonds.