Athinai

  • November 22, 2023 / 19:00

Director: Eva Stefani
Greece, 1995, 40', DCP, color
Greek with Turkish, English subtitles

One night in the spring of 1995, the camera observing life at the Larissa Train Station in Athens introduces us to the 'tenants' of the station: Antonia, Florakis, and George. The film, shot over four weeks, presents a gallery of people living at the station by following the chronological structure of a single evening: homeless individuals, soldiers, and migrants define a space where different worlds converge and coexist.

The Rehearsal

The Rehearsal

Rom

Rom

Meteor & Shadow

Meteor & Shadow

Fournoi, A Female Society

Fournoi, A Female Society

Athinai

Athinai

Megara

Megara

Children of Helidona

Children of Helidona

Doxobus

Doxobus

The Tree We Hurt

The Tree We Hurt

Theofilos

Theofilos

The Other Letter

The Other Letter

The Travelling Players

The Travelling Players

Short Film Selection

Short Film Selection

Happy Day

Happy Day

See You

See You

Byron: Ballad for a Daemon

Byron: Ballad for a Daemon

Good News from the Skies

Good News from the Skies

Inspired by the exhibition And Now the Good News, which focusing on the relationship between mass media and art, we prepared horoscope readings based on the chapters of the exhibition. Using the popular astrological language inspired by the effects of the movements of celestial bodies on people, these readings with references to the works in the exhibition make fictional future predictions inspired by the horoscope columns that we read in the newspapers with the desire to receive good news about our day. 

Transition to Sculpture

Transition to Sculpture

If Manolo Valdés’s paintings convey a search for materiality, his sculpture does so even more. Today, sculpture has taken over most of his workspace, his time, and his efforts.

Portrait of Martín Zapater (1797)

Portrait of Martín Zapater (1797)

Martín Zapater y Clavería, born in Zaragoza on November 12th 1747, came from a family of modest merchants and was taken in to live with a well-to-do aunt, Juana Faguás, and her daughter, Joaquina de Alduy. He studied with Goya in the Escuelas Pías school in Zaragoza from 1752 to 1757 and a friendship arose between them which was to last until the death of Zapater in 1803.