The Tree We Hurt

  • November 24, 2023 / 13:00

Director: Dimos Avdeliodis
Cast: Yannis Avdeliodis, Nikos Mioteris, Marina Delivoria
Greece, 1986, 75', DCP, color
Greek with Turkish, English subtitles

In 1960, two friends parted ways on the island of Chios due to an unfortunate incident just before the schools closed. They meet again in the middle of summer and have an unforgettable holiday together. A heartwarming film that combines humor and sorrow, celebrating innocence and childhood in a heartfelt tribute.

The Rehearsal

The Rehearsal

Rom

Rom

Meteor & Shadow

Meteor & Shadow

Fournoi, A Female Society

Fournoi, A Female Society

Athinai

Athinai

Megara

Megara

Children of Helidona

Children of Helidona

Doxobus

Doxobus

The Tree We Hurt

The Tree We Hurt

Theofilos

Theofilos

The Other Letter

The Other Letter

The Travelling Players

The Travelling Players

Short Film Selection

Short Film Selection

Happy Day

Happy Day

See You

See You

Byron: Ballad for a Daemon

Byron: Ballad for a Daemon

Paris Without End (1959-1965)

Paris Without End (1959-1965)

In the 60s, Alberto Giacometti paid homage to Paris, the city where he lived, by drawing its streets, cafés, and more private places like his studio and the apartment of his wife, Annette. These drawings would make up his last book, Paris sans fin (Paris Without End). 

Soothsayer Serenades I Serenades to the Sun by Kornelia Binicewicz

Soothsayer Serenades I Serenades to the Sun by Kornelia Binicewicz

Today we are thrilled to present the third playlist of Amrita Hepi’s Soothsayer Serenades series as part of the Notes for Tomorrow exhibition. The playlist titled Serenades to the Sun is presented by Kornelia Binicewiczon Pera Museum’s Spotify account.

The First Nudes

The First Nudes

Men were the first nudes in Turkish painting. The majority of these paintings were academic studies executed in oil paint; they were part of the education of artists that had finally attained the opportunity to work from the live model. The gender of the models constituted an obstacle in the way of characterizing these paintings as ‘nudes’.