Megara

  • November 23, 2023 / 13:00

Directors: Sakis Maniatis, Yorgos Tsemberopoulos
Greece, 1974, 79', DCP, color, b&w
Greek with Turkish, English subtitles

Megara, one of the most significant documentaries in contemporary Greek cinema, records one of the country's most serious ecological disasters. In 1973, the government decided to expropriate vast agricultural land with majestic olive trees to build an oil refinery. The rightful rebellion of the residents of Megara, who stood up for their land and olive trees, transformed into one of the first mass protests against the military junta.

The Rehearsal

The Rehearsal

Rom

Rom

Meteor & Shadow

Meteor & Shadow

Fournoi, A Female Society

Fournoi, A Female Society

Athinai

Athinai

Megara

Megara

Children of Helidona

Children of Helidona

Doxobus

Doxobus

The Tree We Hurt

The Tree We Hurt

Theofilos

Theofilos

The Other Letter

The Other Letter

The Travelling Players

The Travelling Players

Short Film Selection

Short Film Selection

Happy Day

Happy Day

See You

See You

Byron: Ballad for a Daemon

Byron: Ballad for a Daemon

Fluid Rego

Fluid Rego

While Paula Rego belatedly was recognised as one of the leading feminist pioneers of her age, little has been written about her exploration of fluid sexuality. Indeed the current of sado-masochism in her drawings and paintings, has tended to encourage an understanding as a classic clash between the patriarchy and exploited women.

Story of José Sancho’s Life

Story of José Sancho’s Life

He was born on April 18, 1935 in the province of Puntarenas, Costa Rica. His family migrated to the capital, San José, where in 1952 he earned a bachelor’s degree from the Lyceum of Costa Rica.

The First Nudes

The First Nudes

Men were the first nudes in Turkish painting. The majority of these paintings were academic studies executed in oil paint; they were part of the education of artists that had finally attained the opportunity to work from the live model. The gender of the models constituted an obstacle in the way of characterizing these paintings as ‘nudes’.