Where Do We Go Now?

  • November 10, 2013 / 16:00
  • November 12, 2013 / 19:00

Director: Nadine Labaki
Cast: Claude Baz Moussawbaa, Leyla Hakim, Nadine Labaki
France, Lebanon, Egypt, Italy , 110’, 2011, color
Arabic, Russian, English with Turkish subtitles


In an isolated Lebanese village, the mosque and the church stand side by side--but religious tension threatens to boil over, particularly as a series of pranks escalates into ever-increasing hostility. The women of the village, both Christian and Muslim, concoct improbable schemes to defuse the tension, including hiring a troupe of Ukrainian belly dancers. Where Do We Go Now? veers back and forth between wrenching drama and cheerful comedy but somehow maintains a balance. Director-actress Nadine Labaki leads her mostly nonprofessional cast with heart and fervor. This commitment allows the movie to juggle the broad comedy of the mayor's wife pretending to channel the Virgin Mary and the grief of a mother losing her son to a random bullet. In a particularly poetic moment, the belly dancers take a tour around the town and discover that the cemetery is segregated into Christian and Muslim plots; even in death, the town is divided.

A Separation

A Separation

The Reader

The Reader

Poulet Aux Prunes

Poulet Aux Prunes

Beyond the Hills

Beyond the Hills

Where Do We Go Now?

Where Do We Go Now?

I Loved You So

I Loved You So

Hands Up

Hands Up

Louise Wimmer

Louise Wimmer

Trailer

Where Do We Go Now?

Nudes With Mirrors

Nudes With Mirrors

Although mythological themes are not commonly encountered in Turkish painting, it is possible to see variations of widespread themes such as the Venus at her Toilet. 

Modernity Building the Modern / Reshaping the Modern

Modernity Building the Modern / Reshaping the Modern

A firm believer in the idea that a collection needs to be upheld at least by four generations and comparing this continuity to a relay race, Nahit Kabakcı began creating the Huma Kabakcı Collection from the 1980s onwards. Today, the collection can be considered one of the most important and outstanding examples among the rare, consciously created, and long-lasting ones of its kind in Turkey.

Giacometti in Paris

Giacometti in Paris

The second part of exhibition illustrates Alberto Giacometti’s relations with Post-Cubist artists and the Surrealist movement between 1922 and 1935, one of the important sculptures series he created during his first years in Paris, and the critical role he played in the art scene of the period.