The Reader

  • November 8, 2013 / 19:00
  • November 14, 2013 / 19:00

Director: Stephen Daldry
Cast: Kate Winslet, Ralph Fiennes, Bruno Ganz
USA, German, 124’, 2008, color
English, German with Turkish subtitles


The Reader opens in post-WWII Germany when teenager Michael Berg becomes ill and is helped home by Hanna, a stranger twice his age. Michael recovers from scarlet fever and seeks out Hanna to thank her. The two are quickly drawn into a passionate but secretive affair. Michael discovers that Hanna loves being read to and their physical relationship deepens. Hanna is enthralled as Michael reads to her from The Odyssey, Huck Finn and The Lady with the Little Dog. Despite their intense bond, Hanna mysteriously disappears one day and Michael is left confused and heartbroken. Eight years later, while Michael is a law student observing the Nazi war crime trials, he is stunned to find Hanna back in his life – this time as a defendant in the courtroom. As Hanna’s past is revealed, Michael uncovers a deep secret that will impact both of their lives. The Reader is a story about truth and reconciliation, about how one generation comes to terms with the crimes of another.

A Separation

A Separation

The Reader

The Reader

Poulet Aux Prunes

Poulet Aux Prunes

Beyond the Hills

Beyond the Hills

Where Do We Go Now?

Where Do We Go Now?

I Loved You So

I Loved You So

Hands Up

Hands Up

Louise Wimmer

Louise Wimmer

Trailer

The Reader

Portrait of a Bullfighter (1797)

Portrait of a Bullfighter (1797)

The man is depicted in three-quarters view, turning straight to the viewers with a penetrating glance. The background is grey, while the clothes, the hair, and cap are black. 

Louis Isadore Kahn (1901-1974)

Louis Isadore Kahn (1901-1974)

Louis Isadore Kahn was born in 1901 to a Jewish family in Pärnu, Russia (today Estonia), far from Philadelphia where he spent his whole life, worked, fell in love, and breathed his last. Kahn family emigrated to America when he was five years old. 

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Pera Museum presented a talk on Nicola Lorini’s video installation For All the Time, for All the Sad Stones, bringing together the artists Nicola Lorini, Gülşah Mursaloğlu and Ambiguous Standards Institute to focus on concepts like measuring, calculation, standardisation, time and change.