Until the Light Takes Us

Director: Aaron Aites, Audrey Ewell
USA, English with Turkish subtitles, 93', 2008, color


Until The Light Takes Us explores the territory of metal music in Norway, bringing together interviews with both the genre's leading bands and the fans. The film crew moved to Norway for the shootings that lasted for two years, and managed to produce a documentary that puts together a comprehensive look into the metal music scene and its subculture.

No Distance Left to Run

No Distance Left to Run

Cure For Pain: The Mark Sandman Story

Cure For Pain: The Mark Sandman Story

Under African Skies

Under African Skies

Kill Your Idols

Kill Your Idols

1991: The Year Punk Broke

1991: The Year Punk Broke

RIP!: A Remix Manifesto

RIP!: A Remix Manifesto

Haack…The King of Techno

Haack…The King of Techno

Until the Light Takes Us

Until the Light Takes Us

The Source Family

The Source Family

Marley

Marley

The adventure of the Big ‘K’

The adventure of the Big ‘K’

In a bid to review the International System of Units (SI), the International Bureau of Weights and Measures gathered at the 26th General Conference on Weights and Measures on November 16, 2018. Sixty member states have voted for changing four out of seven basic units of measurement. The kilogram is among the modified. Before describing the key points, let us have a closer look into the kilogram and its history.

Giacometti: Early Works

Giacometti: Early Works

Organized in collaboration with the Giacometti Foundation, Paris, the exhibition explores Giacometti’s prolific life, most of which the artist led in his studio in Montparnasse, through the works of his early period as well his late work, including one unfinished piece. Devoted to Giacometti’s early works, the first part of the exhibition demonstrates the influence of Giovanni Giacometti, the father of the artist and a Swiss Post-Impressionist painter himself, on Giacometti’s output during these years and his role in his son’s development. 

Midnight Stories: COGITO <br> Tevfik Uyar

Midnight Stories: COGITO
Tevfik Uyar

He had imagined the court room as a big place. It wasn’t. It was about the size of his living room, with an elevation at one end, with a dais on it. The judges and the attorneys sat there. Below it was an old wooden rail, worn out in some places. That was his place. There was another seat for his lawyer. At the back, about 20 or 30 chairs were stowed out for the non-existent crowd.