No Distance Left to Run

Director: Dylan Southern, Will Lovelace
UK, English with Turkish subtitles, 104', 2010, color

No Distance Left To Run, a film about Blur's reunion in 2009, is one of the few music documentaries to receive positive critique. The film focuses on the band's maturing, changes in their musical perspectives and their friendship. The film also exposes Blur's preparations for their Hyde Park gig, which was a reunion show after a long time hiatus with some rare scenes from the band's history. The film was nominated as Best Long Form Music Video in 53rd Grammy Awards.

No Distance Left to Run

No Distance Left to Run

Cure For Pain: The Mark Sandman Story

Cure For Pain: The Mark Sandman Story

Under African Skies

Under African Skies

Kill Your Idols

Kill Your Idols

1991: The Year Punk Broke

1991: The Year Punk Broke

RIP!: A Remix Manifesto

RIP!: A Remix Manifesto

Haack…The King of Techno

Haack…The King of Techno

Until the Light Takes Us

Until the Light Takes Us

The Source Family

The Source Family

Marley

Marley

Reminiscences of Motifs

Reminiscences of Motifs

As artisanship became a part of artistic practices with the blurring of art and craft, the use of traditional motifs has also flourished. In this context, how are these motifs currently structured or designed beyond their traditional connotations? 

Return from Vienna

Return from Vienna

Józef Brandt harboured a fascination for the history of 17th century Poland, and his favourite themes included ballistic scenes and genre scenes before and after the battle proper –all and sundry marches, returns, supply trains, billets and encampments, patrols, and similar motifs illustrating the drudgery of warfare outside of its culminating moments.

From two portraits of children…

From two portraits of children…

The Suna and İnan Kıraç Foundation’s Orientalist Painting Collection includes two children’s portraits that are often featured in exhibitions on the second floor of the Pera Museum. These portraits both date back to the early 20th century, and were made four years apart. One depicts Prince Abdürrahim Efendi, son of Sultan Abdulhamid II, while the figure portrayed on the other is Nazlı, the daughter of Osman Hamdi Bey.