Cure For Pain: The Mark Sandman Story

Director: Robert Bralver, David Ferino
USA, English with Turkish subtitles, 85', 2011, color


We have seen plenty of legendary bands with legendary ends. Morphine is definitely one of those bands. Cure For Pain focuses on the singer and bass player Mark Sandman's extraordinary life and tragic death with appearances and comments from the likes of Josh Homme, Ben Harper and Nic Harcourt.

No Distance Left to Run

No Distance Left to Run

Cure For Pain: The Mark Sandman Story

Cure For Pain: The Mark Sandman Story

Under African Skies

Under African Skies

Kill Your Idols

Kill Your Idols

1991: The Year Punk Broke

1991: The Year Punk Broke

RIP!: A Remix Manifesto

RIP!: A Remix Manifesto

Haack…The King of Techno

Haack…The King of Techno

Until the Light Takes Us

Until the Light Takes Us

The Source Family

The Source Family

Marley

Marley

Have you noticed the gigantic photo on the facade of our building?

Have you noticed the gigantic photo on the facade of our building?

Have you noticed the gigantic photo on our façade? Our Cold Front from the Balkans exhibition focuses on different generations of artists and art groups from the Balkan region.

Between Impressionism and Orientalism

Between Impressionism and Orientalism

Pera Museum presents an exhibition of French artist Félix Ziem, one of the most original landscape painters of the 19th century. The exhibition Wanderer on the Sea of Light presents Ziem as an artist who left his mark on 19th century painting and who is mostly known for his paintings of Istanbul and Venice, where the city and the sea are intertwined. Through the exhibition, we will be sharing detailed information about the artist and the artworks. 

Mersad Berber

Mersad Berber

Mersad Berber was born in Bosanski Petrovac, Kingdom of Yugoslavia, on January 1st. He was the first son of Muhammed Berber and Sadika Berber, a well-known weaver and embroiderer. A year later, the family moved to Banja Luka after the city had suffered damage from the World War II.