Sound it Out

  • January 12, 2014 / 16:00
  • January 18, 2014 / 18:00

Director: Jeanie Finlay
United Kingdom; 74’, 2011, color
English with Turkish subtitles

Over the last five years an independent record shop has closed in the UK every three days. Sound It Out is the very last surviving vinyl record shop in North East England. A cultural haven in one of the poorest areas in the UK, the film documents a place that is thriving against the odds and the local community that keeps it alive. Directed by Jeanie Finlay who grew up in the neighborhood, this is a distinctive, funny and intimate film about men, the North and the irreplaceable role music plays in our lives.

InRealLife

InRealLife

The House I Live In

The House I Live In

Town of Runners

Town of Runners

Sound it Out

Sound it Out

Girl Model

Girl Model

Tabloid

Tabloid

Trailer

Sound it Out

Seaside Leisure

Seaside Leisure

Istanbul’s Seaside Leisure: Nostalgia from Sea Baths to Beaches exhibition brought together photographs, magazines, comics, objects, and books from various private and institutional collections, and told a nostalgic story while also addressing the change and socialization of the norms of how Istanbulites used their free time. Istanbul’s Seaside Leisure was a documentary testament of the radical transformations in the Republic’s lifestyle. 

Janine Antoni Look At Me!

Janine Antoni Look At Me!

The exhibition Look at Me! Portraits and Other Fictions from the ”la Caixa” Contemporary Art Collection examines portraiture, one of the oldest artistic genres, through a significant number of works of our times. Through the exhibition we will be sharing about the artists and sections in Look At Me!. This time we are sharing about Janine Antoni , exhibited under the section “The Conventions of Identitiy”!

The First Nudes

The First Nudes

Men were the first nudes in Turkish painting. The majority of these paintings were academic studies executed in oil paint; they were part of the education of artists that had finally attained the opportunity to work from the live model. The gender of the models constituted an obstacle in the way of characterizing these paintings as ‘nudes’.