Girl Model

  • January 18, 2014 / 16:00
  • January 11, 2014 / 16:00

Director: David Redmon & Ashley Sabin
USA; 78’’, 2011, color
English with Turkish subtitles

Girl Model follows a complex supply chain between Siberia, Japan, and the U.S. within the modeling industry. The story is told through the eyes of a scout and a 13 year-old model. Despite a lack of obvious similarities between Siberia and Tokyo, a thriving model industry connects these distant regions. Girl Model follows two protagonists involved in this industry: Ashley, a deeply ambivalent model scout who scours the Siberian countryside looking for fresh faces to send to the Japanese market, and one of her discoveries, Nadya, a thirteen year-old plucked from the Siberian countryside and dropped into the center of Tokyo with promises of a profitable career. After Ashley’s initial discovery of Nadya, the two rarely meet again, but their stories are inextricably bound. As Nadya’s optimism about rescuing her family from their financial difficulties grows, her dreams contrast against Ashley’s more jaded outlook about the industry’s corrosive influence.

InRealLife

InRealLife

The House I Live In

The House I Live In

Town of Runners

Town of Runners

Sound it Out

Sound it Out

Girl Model

Girl Model

Tabloid

Tabloid

Trailer

Girl Model

Janine Antoni Look At Me!

Janine Antoni Look At Me!

The exhibition Look at Me! Portraits and Other Fictions from the ”la Caixa” Contemporary Art Collection examines portraiture, one of the oldest artistic genres, through a significant number of works of our times. Through the exhibition we will be sharing about the artists and sections in Look At Me!. This time we are sharing about Janine Antoni , exhibited under the section “The Conventions of Identitiy”!

Introducing… Turkish coffee!

Introducing… Turkish coffee!

Celebrating its 10th anniversary this year, Pera Museum invites artist Benoît Hamet to reinterpret key pieces from its collections, casting a humourous eye over ‘historical’ events, both imagined and factual.

Midnight Stories: COGITO <br> Tevfik Uyar

Midnight Stories: COGITO
Tevfik Uyar

He had imagined the court room as a big place. It wasn’t. It was about the size of his living room, with an elevation at one end, with a dais on it. The judges and the attorneys sat there. Below it was an old wooden rail, worn out in some places. That was his place. There was another seat for his lawyer. At the back, about 20 or 30 chairs were stowed out for the non-existent crowd.