Director: Maud Nycander, Kristina Lindström
Sweden 105’, 2012, black and white
Swedish with Turkish subtitles
Late in the evening on February 28th, 1986, Swedish Prime Minister Olof Palme and his wife walked home from seeing a film. Palme was fatally shot and killed by an unknown assassin. The murder was never solved. Maud Nycander and Kristina Lindström’s encompassing portrait of Palme began as a means to reassess the former prime minister’s legacy, separate from the drama and horror of his death. More than 26 years have passed since Palme was assassinated, but he remains a divisive figure in Swedish society. Outspoken, courageous, and an advocate for women’s rights, environmentalism, and the peace movement, Palme almost single-handedly changed global views about Sweden. Nycander and Lindström’s film portrait offers an encompassing view both of the man and of his era with never-before-seen footage released by the Palme family.
Trailer
Pera Museum presented a talk on Nicola Lorini’s video installation For All the Time, for All the Sad Stones, bringing together the artists Nicola Lorini, Gülşah Mursaloğlu and Ambiguous Standards Institute to focus on concepts like measuring, calculation, standardisation, time and change.
The second part of exhibition illustrates Alberto Giacometti’s relations with Post-Cubist artists and the Surrealist movement between 1922 and 1935, one of the important sculptures series he created during his first years in Paris, and the critical role he played in the art scene of the period.
Pera Museum, in collaboration with Istanbul Foundation for Culture and Arts (İKSV), is one of the main venues for this year’s 15th Istanbul Biennial from 16 September to 12 November 2017.
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