Svenska!
Contemporary Swedish Cinema

March 8 - 29, 2014

Pera Film parallel to Pera Museum’s Aurora: Contemporary Nordic Glass Art temporary exhibition is presenting the film program Svenska! Contemporary Swedish Cinema. This selection focuses in particular on the cinema of Sweden; the selected eight films from the past three years explore different themes and topics through impressive, fresh and vibrant storytelling. Organized in collaboration with the Consulate General of Sweden in İstanbul, the program gives a great insight into the current state of filmmaking and creativity in Sweden.

  

in collaboration

March 8

14:00 Behind Blue Skies

16:00 The Ice Dragon

18:00 The Last Sentence

March 9

13:00 Avalon

15:00 Big Boys Gone Bananas!*

17:00 Palme

March 12

19:00 TPB AFK: The Pirate Bay Away from Keyboard

March 13

19:00 Big Boys Gone Bananas!*

March 14

19:00 Call Girl

March 27

19:00 Behind Blue Skies

March 28

19:00 Palme

21:00 Avalon

March 29

12:00 The Ice Dragon

14:00 TPB AFK: The Pirate Bay Away from Keyboard

16:00 Call Girl

19:00 The Last Sentence

Avalon

Avalon

Behind Blue Skies

Behind Blue Skies

Big Boys Gone Bananas!*

Big Boys Gone Bananas!*

Call Girl

Call Girl

Palme

Palme

The Ice Dragon

The Ice Dragon

The Last Sentence

The Last Sentence

TPB AFK: The Pirate Bay Away from Keyboard

TPB AFK: The Pirate Bay Away from Keyboard

Program Trailer

Svenska!
Contemporary Swedish Cinema

This selection focuses in particular on the cinema of Sweden; the selected eight films from the past three years explore different themes and topics through impressive, fresh and vibrant storytelling. The program gives a great insight into the current state of filmmaking and creativity in Sweden.

Aurora

The glass artists hailing from Northern European countries, presented us here in İstanbul with contemporary interpretations of glass, a material inherited from past cultures.

Aurora

Midnight Horror Stories: The Last Ferry <br> Galip Dursun

Midnight Horror Stories: The Last Ferry
Galip Dursun

I remembered a game as I was waiting in the passenger lounge for the ferry to arrive just a few minutes ago. A game we used to play at home when I was young, in my country that is very far away from here, a relic from the distant past; I don’t even remember how we used to play it. The kind of game that makes me feel a thousand times lonelier than I already am among the crowd waiting to get on the ferry.

Portrait of Martín Zapater (1797)

Portrait of Martín Zapater (1797)

Martín Zapater y Clavería, born in Zaragoza on November 12th 1747, came from a family of modest merchants and was taken in to live with a well-to-do aunt, Juana Faguás, and her daughter, Joaquina de Alduy. He studied with Goya in the Escuelas Pías school in Zaragoza from 1752 to 1757 and a friendship arose between them which was to last until the death of Zapater in 1803. 

Transition to Sculpture

Transition to Sculpture

If Manolo Valdés’s paintings convey a search for materiality, his sculpture does so even more. Today, sculpture has taken over most of his workspace, his time, and his efforts.