Director: Maryam Ebrahimi, Nima Sarvestani
Sweden, 2013, 77’, Color, Persian with English and Turkish subtitles
Takhar Prison, four cells, 40 women, 34 children... Outside, women wearing burqas; behind bars, women without burqas... In these Afghan prisons, women live without any connection to the outside world, and face threat of death when they are released.
Via the testimony of imprisoned women, this documentary shows how “moral crimes” oppress women in post-Taliban Afghanistan, and offers a new perspective on women’s struggle to rewrite their life stories, stories which have been shaped by the most trying, challenging of conditions.
Trailer
Having penetrated the Balkans in the fourteenth century, conquered Constantinople in the fifteenth, and reached the gates of Vienna in the sixteenth, the Ottoman Empire long struck fear into European hearts.
In 1998 Ben Jakober and Yannick Vu collaborated on an obvious remake of Marcel Duchamp’s Roue de Bicyclette, his first “readymade” object. Duchamp combined a bicycle wheel, a fork and a stool to create a machine which served no purpose, subverting accepted norms of art.
Suggesting alternative models for new social and economic systems, SUPERFLEX works appear before us as energy systems, beverages, sculptures, copies, hypnosis sessions, infrastructure, paintings, plant nurseries, contracts, or specifically designed public spaces.
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