14th International Filmmor Women's Film Festival on Wheels

March 15 - 18, 2016

This year’s 14th International Filmmor Women Film Festival on Wheels is focusing on the motto “Femicide is Preventable: Women’s Solidarity Keeps Women Alive.”

The annual festival, continues to share women’s experiences and hopes, visions and dreams by means of cinema.

March 15

12:00 Coria and the Sea

15:00 Justice For Sale

17:00 No Burqas Behind Bars

19:00 Invoking Justice

March 16

12:00 Private Violence

15:00 An

17:00 Young Sophie Bell

19:00 Nahid

March 18

12:00 An

15:00 Second Mother

17:00 Suffragette

19:00 Dreamcatcher

Justice For Sale

Justice For Sale

No Burqas Behind Bars

No Burqas Behind Bars

Invoking Justice

Invoking Justice

Private Violence

Private Violence

Nahid

Nahid

 Second Mother

Second Mother

Dreamcatcher

Dreamcatcher

An

An

Suffragette

Suffragette

Coria and the Sea

Coria and the Sea

Young Sophie Bell

Young Sophie Bell

Loading Limit

Loading Limit

Pera Museum presented a talk on Nicola Lorini’s video installation For All the Time, for All the Sad Stones, bringing together the artists Nicola Lorini, Gülşah Mursaloğlu and Ambiguous Standards Institute to focus on concepts like measuring, calculation, standardisation, time and change.

Baby King

Baby King

1638, the year Louis XIV was born –his second name, Dieudonné, alluding to his God-given status– saw the diffusion of a cult of maternity encouraged by the very devout Anne of Austria, in thanks for the miracle by which she had given birth to an heir to the French throne. Simon François de Tours (1606-1671) painted the Queen in the guise of the Virgin Mary, and the young Louis XIV as the infant Jesus, in the allegorical portrait now in the Bishop’s Palace at Sens.

Midnight Stories: The Soul <br> Aşkın Güngör

Midnight Stories: The Soul
Aşkın Güngör

The wind blows, rubbing against my legs made of layers of metal and wires, swaying the leaves of grass that have shot up from the cracks in the tarmac, and going off to the windows that look like the eyes of dead children in the wrecked buildings that seem to be everywhere as far as the eye can see.