MTV and the Golden Age of Music Videos (1981 – 1984)

  • December 19, 2015 / 17:00
  • December 26, 2015 / 14:30
  • January 16, 2016 / 12:00

Duran Duran, Girls on Film, 1981 / Godley & Crème
The Clash, This is Radio Clash, 1981 / Don Letts
Rolling Stones. Undercover of the Night, 1981 / Julien Temple
RadioFutura, La Estatua del Jardín Botánico, 1982 / RCR
Duran Duran, Wild Boys, 1983 / Russel Mulcahy
Herbie Hancock, Rock it, 1983 / Godley & Crème
David Bowie, China Girl, 1983 / David Mallet
Michael Jackson, Beat it, 1983 / Bob Giraldi
Michael Jackson, Thriller, 1983 / John Landis
Devo, Worried Man, 1983 / John Cassale
Paul Simon, Rene and Georgette, 1983 / Joan Logue
A-ha, Take On me, 1983 / Steve Barron
Propaganda, Dr. Mabuse, 1984 / Anton Corbijn
Godley & Crème, Cry, 1984 / Godley & Creme
Frankie Goes To Hollywood, Relax, 1984 / Bernard Rose
The Cars, You Might Think, 1984 / Jeff Stein
Talking Heads, Road to Nowhere, 1984 / Steve R. Johnson
La Unión, Lobo hombre en París, 1984 / José Luis Lozano

Duration: 1 hour 34 minutes

The Artists’ Music Video (1966 – 2012)

The Artists’ Music Video (1966 – 2012)

The Music Video before MTV (1966 – 1980)

The Music Video before MTV (1966 – 1980)

MTV and the Golden Age of Music Videos (1981 – 1984)

MTV and the Golden Age of Music Videos (1981 – 1984)

Gender Identity (1985 – 1990)

Gender Identity (1985 – 1990)

The Director’s Music Video (1991 – 1998)

The Director’s Music Video (1991 – 1998)

Recent Music Videos (2000 – 2012)

Recent Music Videos (2000 – 2012)

Mosques in the 18th and 19th Century Paintings

Mosques in the 18th and 19th Century Paintings

In the works of western painters, we encounter mosques as the primary architectural elements that reflect the identity of the city of Istanbul. Often we can recognize the depicted landscape as Istanbul simply from the mosques. 

A Photographer’s Biography Guillaume Berggren

A Photographer’s Biography Guillaume Berggren

Berggren acquires the techniques of photography in Berlin and holds different jobs in various European cities before arriving in İstanbul. Initially en route to Marseille, he disembarks from his ship in 1866 and settles in İstanbul, where he is to spend the rest of his life.

I Copy Therefore I Am

I Copy Therefore I Am

Suggesting alternative models for new social and economic systems, SUPERFLEX works appear before us as energy systems, beverages, sculptures, copies, hypnosis sessions, infrastructure, paintings, plant nurseries, contracts, or specifically designed public spaces.