The Director’s Music Video (1991 – 1998)

  • December 20, 2015 / 18:00
  • December 26, 2015 / 17:30
  • January 20, 2016 / 15:00

Nirvana, Smells Like Teen Spirit, 1991 / Samuel Bayer
R.E.M., Losing my Religion, 1991 / Tarsem
Michael Jackson, Black or White, 1991 / Martin Scorsesse
U2, One, 1992 / Anton Corbijn
Nirvana, Heart Shaped Box, 1993 / Anton Corbijn
Nine Inch Nails, Closer, 1993 / Mark Romanek
Beastie Boys, Sabotage, 1994 / Spike Jonze
Jamiroquai, Virtual insanity, 1996 / Jonathan Glazer
Marilyn Manson, Beautiful People, 1996 / Floria Sigismondi
Aphex Twin, Come to Daddy, 1997 / Chris Cunningham
The Prodigy, Smack my Bitch Up, 1997 / Jonas Akerlund
Daft Punk, Da Funk, 1997 / Spike Jonze
Björk, Bachelorette, 1997 / Michel Gondry
Daft Punk, Around the World.1997 / Michel Gondry
Marilyn Manson, The Long Hard Road Out Of Hell, 1997 / Matthew Rolston.
R.E.M. Lotus, 1998 / Stéphane Sednaoui
Bjork, All is Full Of Love, 1998 / Chris Cunningham
Leftfield, Afrika Shox, 1998 / Chis Cunningham
Unkle / Thom Yorke, Rabbit in Your Headlights, 1998 / Jonathan Glazer
Aphex Twin, Windowlicker, 1999 / Chris Cunningham

Duration: 1 hour 40 minutes

The Artists’ Music Video (1966 – 2012)

The Artists’ Music Video (1966 – 2012)

The Music Video before MTV (1966 – 1980)

The Music Video before MTV (1966 – 1980)

MTV and the Golden Age of Music Videos (1981 – 1984)

MTV and the Golden Age of Music Videos (1981 – 1984)

Gender Identity (1985 – 1990)

Gender Identity (1985 – 1990)

The Director’s Music Video (1991 – 1998)

The Director’s Music Video (1991 – 1998)

Recent Music Videos (2000 – 2012)

Recent Music Videos (2000 – 2012)

Reminiscences of Motifs

Reminiscences of Motifs

As artisanship became a part of artistic practices with the blurring of art and craft, the use of traditional motifs has also flourished. In this context, how are these motifs currently structured or designed beyond their traditional connotations? 

Return from Vienna

Return from Vienna

Józef Brandt harboured a fascination for the history of 17th century Poland, and his favourite themes included ballistic scenes and genre scenes before and after the battle proper –all and sundry marches, returns, supply trains, billets and encampments, patrols, and similar motifs illustrating the drudgery of warfare outside of its culminating moments.

From two portraits of children…

From two portraits of children…

The Suna and İnan Kıraç Foundation’s Orientalist Painting Collection includes two children’s portraits that are often featured in exhibitions on the second floor of the Pera Museum. These portraits both date back to the early 20th century, and were made four years apart. One depicts Prince Abdürrahim Efendi, son of Sultan Abdulhamid II, while the figure portrayed on the other is Nazlı, the daughter of Osman Hamdi Bey.