Gender Identity (1985 – 1990)

  • December 20, 2015 / 14:00
  • December 26, 2015 / 16:00
  • January 16, 2016 / 14:00

Peter Gabriel, Sledgehammer, 1985 / Steve R.Johnson
Dire Straits, Money for Nothing, 1985 / Steve Barron
Simple Minds, All the Things She Said, 1985 / Rybzinsky
Kate Bush, Running Up that Hills, 1985 / David Garfath
The Smiths, The Queen is Dead, 1986 / Derek Jarman
Crowded House, Don’t Dream it’s Over, 1986 / Alex Proyas
Michael Jackson, Bad, 1987 / Martin Scorsesse
Madonna, Like a Prayer.1988 / Mary Lambert
The Cure, Lullaby, 1989 / Tim Pope
Chris Isaak, Wicked Game, 1989 / Herb Ritts
Madonna, Justify My Love, 1990. / J. B Mondino
Madonna, Vogue, 1990 / David Fincher
Depeche Mode, Enjoy the Silence, 1990 / Anton Corbijn
Sonic Youth, Kool thing, 1990 / Tamra Davis
Sinead O’Connor, Nothing Compares 2 U, 1990 / John Maybury

Duration: 1 hour 13 minutes

The Artists’ Music Video (1966 – 2012)

The Artists’ Music Video (1966 – 2012)

The Music Video before MTV (1966 – 1980)

The Music Video before MTV (1966 – 1980)

MTV and the Golden Age of Music Videos (1981 – 1984)

MTV and the Golden Age of Music Videos (1981 – 1984)

Gender Identity (1985 – 1990)

Gender Identity (1985 – 1990)

The Director’s Music Video (1991 – 1998)

The Director’s Music Video (1991 – 1998)

Recent Music Videos (2000 – 2012)

Recent Music Videos (2000 – 2012)

Medicinal Herbs in Byzantium

Medicinal Herbs in Byzantium

Knowledge of plants and the practice of healing are closely entwined. The toxic or hallucinogenic nature of some roots, and the dangers associated with picking them, conferred a mythical or magical character and power. 

Frida Kahlo

Frida Kahlo

Frida Kahlo was born on July 6, 1907 in Coyoacán, Mexico. Exactly 47 years from now, before she died in the same city and her beloved Mexico, many things would happen; she’d meet Diego Rivera, become a world-renowned artist, and allow many of her fans to dress like her on Halloween. 

Return from Vienna

Return from Vienna

Józef Brandt harboured a fascination for the history of 17th century Poland, and his favourite themes included ballistic scenes and genre scenes before and after the battle proper –all and sundry marches, returns, supply trains, billets and encampments, patrols, and similar motifs illustrating the drudgery of warfare outside of its culminating moments.