MTV and the Golden Age of Music Videos (1981 – 1984)

  • December 19, 2015 / 17:00
  • December 26, 2015 / 14:30
  • January 16, 2016 / 12:00

Duran Duran, Girls on Film, 1981 / Godley & Crème
The Clash, This is Radio Clash, 1981 / Don Letts
Rolling Stones. Undercover of the Night, 1981 / Julien Temple
RadioFutura, La Estatua del Jardín Botánico, 1982 / RCR
Duran Duran, Wild Boys, 1983 / Russel Mulcahy
Herbie Hancock, Rock it, 1983 / Godley & Crème
David Bowie, China Girl, 1983 / David Mallet
Michael Jackson, Beat it, 1983 / Bob Giraldi
Michael Jackson, Thriller, 1983 / John Landis
Devo, Worried Man, 1983 / John Cassale
Paul Simon, Rene and Georgette, 1983 / Joan Logue
A-ha, Take On me, 1983 / Steve Barron
Propaganda, Dr. Mabuse, 1984 / Anton Corbijn
Godley & Crème, Cry, 1984 / Godley & Creme
Frankie Goes To Hollywood, Relax, 1984 / Bernard Rose
The Cars, You Might Think, 1984 / Jeff Stein
Talking Heads, Road to Nowhere, 1984 / Steve R. Johnson
La Unión, Lobo hombre en París, 1984 / José Luis Lozano

Duration: 1 hour 34 minutes

The Artists’ Music Video (1966 – 2012)

The Artists’ Music Video (1966 – 2012)

The Music Video before MTV (1966 – 1980)

The Music Video before MTV (1966 – 1980)

MTV and the Golden Age of Music Videos (1981 – 1984)

MTV and the Golden Age of Music Videos (1981 – 1984)

Gender Identity (1985 – 1990)

Gender Identity (1985 – 1990)

The Director’s Music Video (1991 – 1998)

The Director’s Music Video (1991 – 1998)

Recent Music Videos (2000 – 2012)

Recent Music Videos (2000 – 2012)

The Painter of Venice

The Painter of Venice

Pera Museum presents an exhibition of French artist Félix Ziem, one of the most original landscape painters of the 19th century. 

Nudes With Mirrors

Nudes With Mirrors

Although mythological themes are not commonly encountered in Turkish painting, it is possible to see variations of widespread themes such as the Venus at her Toilet. 

Modernity Building the Modern / Reshaping the Modern

Modernity Building the Modern / Reshaping the Modern

A firm believer in the idea that a collection needs to be upheld at least by four generations and comparing this continuity to a relay race, Nahit Kabakcı began creating the Huma Kabakcı Collection from the 1980s onwards. Today, the collection can be considered one of the most important and outstanding examples among the rare, consciously created, and long-lasting ones of its kind in Turkey.