Director: Ali Kemal Çınar
Cast:
 Ali Kemal Çınar, Sakine Tunç, Sibel Can, Remzi Yardımcı, İhsan Şakar
2015, 70', b&w, Kurdish with Turkish subtitles

Ali Kemal and Berfin are a couple living an ordinary life while waiting for their wedding day. After a surprise visit from an unknown woman to Ali Kemal’s shop, they find themselves awaiting a magical metamorphosis that will lead to Ali Kemal’s sex change. Bold realities of feminist issues, the role of women in traditional Turkish and Kurdish societies, and the ways in which the government deals with them surround the couple as they try to figure out if they can make this change on a personal level as well. Hidden salutes the cross dressing scene from the famous Kurdish folk tale Mem û Zîn, where Mem is dressed as a woman and Zîn as a man when they see each other for the first time.

Her First

Her First

Hidden

Hidden

Married to The Camera

Married to The Camera

Trailer

Hidden

From Cypresses to Turkish Landscapes

From Cypresses to Turkish Landscapes

Among the most interesting themes in the oeuvre of Prassinos are cypresses, trees, and Turkish landscapes. The cypress woods in Üsküdar he saw every time he stepped out on the terrace of their house in İstanbul or the trees in Petits Champs must have been strong images of childhood for Prassinos. 

Memory of the Region

Memory of the Region

Objects also bear the memory of the geography to which they relate. Ceramics, with soil as their primary material, are directly linked to the land where they are produced: forging a direct relationship with earth, ceramics bear the memory of the soil where they come from.

At the Order of the Padishah

At the Order of the Padishah

In this piece, Żmurko presents an exotic image of a harem chamber, replete with gleaming fabrics and scattered jewels, as a setting for the statuesquely beautiful body of an odalisque murdered “at the order of the padishah”.