Pera Film presents Pera Museum's Miniature 2.0: Miniature in Contemporary Art exhibition themed selection online.
The Miniature 2.0: Miniature in Contemporary Art exhibition is a collection of works that take miniature as a point of departure, showcasing different approaches to miniature and the principles they have in common. What the artists in the exhibition have in common is the fact that they look at the world through the lens of miniatures. The program titled Stepping In, Stepping Out features three films that trace the reflection of the subjects the artists in the exhibition address through miniature, and that try to offer both an insider’s and an outsider’s view on their stories.
Taking place between January 11 - 24, the program includes Her First, a film interlaced with many questions–sometimes replied and sometimes left afloat–that tells the story of being a woman, a working woman, a woman filmmaker in Turkish cinema, told by 14 female directors; Ali Kemal Çınar’s second feature film titled Hidden, which tells the story of a young man who finds out that he will turn into a woman when he turns 30; and the award-winning documentary Married to the Camera, which offers a direct, truth-driven account of Esra Erol’s famous TV show with striking behind the scenes footage as well as actual footage from the show.
The films will be streamed at peramuseum.org between January 11 - 24, and only be accessible to online audiences in Turkey.
Among the most interesting themes in the oeuvre of Prassinos are cypresses, trees, and Turkish landscapes. The cypress woods in Üsküdar he saw every time he stepped out on the terrace of their house in İstanbul or the trees in Petits Champs must have been strong images of childhood for Prassinos.
In 1962 Philip Corner, one of the most prominent members of the Fluxus movement, caused a great commotion in serious music circles when during a performance entitled Piano Activities he climbed up onto a grand piano and began to kick it while other members of the group attacked it with saws, hammers and all kinds of other implements.
Over the years of 1864 through 1876, Stanisław Chlebowski served Sultan Abdülaziz in Istanbul as his court painter. As it was, Abdülaziz disposed of considerable artistic talents of his own, and he actively involved himself in Chlebowski’s creative process, suggesting ideas for compositions –such as ballistic pieces praising the victories of Turkish arms.
Tuesday - Saturday 10:00 - 19:00
Friday 10:00 - 22:00
Sunday 12:00 - 18:00
The museum is closed on Mondays.
On Wednesdays, the students can
visit the museum free of admission.
Full ticket: 300 TL
Discounted: 150 TL
Groups: 200 TL (minimum 10 people)
