Directors: Su Baloğlu, Merve Bozcu
2017, 80', color, Turkish with English subtitles
How does one make a movie? Where to start? Does the director have to know everything? Are men better at technique? Why does my crew pay more attention to the director of photography? What the heck is a “set girl”? Is there such thing called the “female gaze”? Working with two female co-directors? Hell no! Is my assistant spreading rumors that I’m not a good director on the set? Is working with your husband on the same set, hardest thing ever? Two recent film school graduates Merve and Su decide to give up their careers in academia to make a film that seeks for answers to these questions. They shot themselves in this journey to document the crucial points of filmmaking. Interlaced with many questions–sometimes replied and sometimes left afloat–Her First tells the story of being a woman, a working woman, a woman filmmaker in Turkish cinema, told by 14 female directors.
Trailer
If Manolo Valdés’s paintings convey a search for materiality, his sculpture does so even more. Today, sculpture has taken over most of his workspace, his time, and his efforts.
A closer look at the life and works of the artist Barbara Kruger, who is represented with two striking works in the exhibition And Now The Good News, a selection of works from the Nobel Collection.
When regarding the paintings of Istanbul by western painters, Golden Horn has a distinctive place and value. This body of water that separates the Topkapı Palace and the Historical Peninsula, in which monumental edifices are located, from Galata, where westerners and foreign embassies dwell, is as though an interpenetrating boundary.
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