Director: Agnieszka Holland
Cast: Barbara Grabowska, Adam Ferency, Boguslaw Linda
Poland, 122’, 1981, color
Polish, Russian with Turkish subtitles
The film is set in 1905, in a time of feverish revolutionary underground activity in a Poland partitioned between three neighbours. All the characters are committed anarchists. The bomb maker puts an invention together to place it at the disposal of young inexperienced terrorists fighting against Tsarist oppression. The story follows the passing of this bomb from anarchist to anarchist as several attempts are made on the life of the Tsarist governor general, until, at the end, it is effectively and harmlessly defused by a bomb expert. The presence of the bomb has a destroying effect on all of the Polish revolutionaries; they either die or break down. As such, the film was banned almost immediately when martial law was imposed upon Poland in 1981. Slated for obscurity, the film attained worldwide attention when it was feted at the 1981 Berlin Film Festival, by which time Holland had moved to France.
Among the most interesting themes in the oeuvre of Prassinos are cypresses, trees, and Turkish landscapes. The cypress woods in Üsküdar he saw every time he stepped out on the terrace of their house in İstanbul or the trees in Petits Champs must have been strong images of childhood for Prassinos.
As artisanship became a part of artistic practices with the blurring of art and craft, the use of traditional motifs has also flourished. In this context, how are these motifs currently structured or designed beyond their traditional connotations?
Józef Brandt harboured a fascination for the history of 17th century Poland, and his favourite themes included ballistic scenes and genre scenes before and after the battle proper –all and sundry marches, returns, supply trains, billets and encampments, patrols, and similar motifs illustrating the drudgery of warfare outside of its culminating moments.
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