Director: Agnieszka Holland
Cast: Barbara Grabowska, Adam Ferency, Boguslaw Linda
Poland, 122’, 1981, color
Polish, Russian with Turkish subtitles
The film is set in 1905, in a time of feverish revolutionary underground activity in a Poland partitioned between three neighbours. All the characters are committed anarchists. The bomb maker puts an invention together to place it at the disposal of young inexperienced terrorists fighting against Tsarist oppression. The story follows the passing of this bomb from anarchist to anarchist as several attempts are made on the life of the Tsarist governor general, until, at the end, it is effectively and harmlessly defused by a bomb expert. The presence of the bomb has a destroying effect on all of the Polish revolutionaries; they either die or break down. As such, the film was banned almost immediately when martial law was imposed upon Poland in 1981. Slated for obscurity, the film attained worldwide attention when it was feted at the 1981 Berlin Film Festival, by which time Holland had moved to France.
Each memory tells an intimate story; each collection presents us with the reality of containing an intimate story as well. The collection is akin to a whole in which many memories and stories of the artist, the viewer, and the collector are brought together. At the heart of a collection is memory, nurtured from the past and projecting into the future.
In 1998 Ben Jakober and Yannick Vu collaborated on an obvious remake of Marcel Duchamp’s Roue de Bicyclette, his first “readymade” object. Duchamp combined a bicycle wheel, a fork and a stool to create a machine which served no purpose, subverting accepted norms of art.
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On Wednesdays, the students can
visit the museum free of admission.
Full ticket: 25 TL
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