Fever

  • November 16, 2014 / 14:00
  • November 25, 2014 / 19:00

Director: Agnieszka Holland
Cast: Barbara Grabowska, Adam Ferency, Boguslaw Linda
Poland, 122’, 1981, color

Polish, Russian with Turkish subtitles

The film is set in 1905, in a time of feverish revolutionary underground activity in a Poland partitioned between three neighbours. All the characters are committed anarchists. The bomb maker puts an invention together to place it at the disposal of young inexperienced terrorists fighting against Tsarist oppression. The story follows the passing of this bomb from anarchist to anarchist as several attempts are made on the life of the Tsarist governor general, until, at the end, it is effectively and harmlessly defused by a bomb expert. The presence of the bomb has a destroying effect on all of the Polish revolutionaries; they either die or break down. As such, the film was banned almost immediately when martial law was imposed upon Poland in 1981. Slated for obscurity, the film attained worldwide attention when it was feted at the 1981 Berlin Film Festival, by which time Holland had moved to France.

Fever

Fever

Europa Europa

Europa Europa

In Darkness

In Darkness

Burning Bush

Burning Bush

Giacometti: Early Works

Giacometti: Early Works

Organized in collaboration with the Giacometti Foundation, Paris, the exhibition explores Giacometti’s prolific life, most of which the artist led in his studio in Montparnasse, through the works of his early period as well his late work, including one unfinished piece. Devoted to Giacometti’s early works, the first part of the exhibition demonstrates the influence of Giovanni Giacometti, the father of the artist and a Swiss Post-Impressionist painter himself, on Giacometti’s output during these years and his role in his son’s development. 

Memory Building Memories / Memory Room / Memento Mori

Memory Building Memories / Memory Room / Memento Mori

Each memory tells an intimate story; each collection presents us with the reality of containing an intimate story as well. The collection is akin to a whole in which many memories and stories of the artist, the viewer, and the collector are brought together. At the heart of a collection is memory, nurtured from the past and projecting into the future.

Nudes With Mirrors

Nudes With Mirrors

Although mythological themes are not commonly encountered in Turkish painting, it is possible to see variations of widespread themes such as the Venus at her Toilet.