Director: Pierre-Yves Vandeweerd
France, Belgium, siyah-beyaz / black & white, 2007, 102’
French, Fula with Turkish subtitles

Le Cercle des Noyés is the term for a group of political prisoners arrested in Mauritania in 1986 because of their fight for equal rights for blacks, and who, cut off from the outside world, were incarcerated in a fortress in the desert for years. There they had to endure inhumane conditions, humiliation, forced labor, and torture. Le Cercle des Noyés is a political documentary that is reflective both aesthetically and politically in equal parts, without causing one to suffer at the expense of the other. A text, read calmly and with great dignity, consisting of the testimonies and memories of the prisoners, never rehabilitated, is juxtaposed with stunningly impressive black-and-white images from 2006 – “scenes of the crime” that bear no traces of the past, just as if nothing had ever happened. The film is not so much an analysis of the historical and sociopolitical background in Mauritania as it is about the paradigms of political tyranny, misuse of power, injustice, and torture. As such, it can be understood not only as a gesture against forgetting, but also as a parable that can extend as far as Guantánamo.

Odessa...Odessa!

Odessa...Odessa!

Nostalgia For The Light

Nostalgia For The Light

The Hour Of Berger

The Hour Of Berger

Land Of The Wandering Souls

Land Of The Wandering Souls

Drowned In Oblivion

Drowned In Oblivion

A Carriage and a Squat House  <br>Liliana Maresca

A Carriage and a Squat House
Liliana Maresca

Pera Museum, in collaboration with Istanbul Foundation for Culture and Arts (İKSV), is one of the main venues for this year’s 15th Istanbul Biennial from 16 September to 12 November 2017. Through the biennial, we will be sharing detailed information about the artists and the artworks.

Good News from the Skies

Good News from the Skies

Inspired by the exhibition And Now the Good News, which focusing on the relationship between mass media and art, we prepared horoscope readings based on the chapters of the exhibition. Using the popular astrological language inspired by the effects of the movements of celestial bodies on people, these readings with references to the works in the exhibition make fictional future predictions inspired by the horoscope columns that we read in the newspapers with the desire to receive good news about our day. 

Moscow Conceptualists

Moscow Conceptualists

Our institutions have been stuck on linear Neo-Platonic tracks for 24 centuries. These antiquated processes of deduction have lost their authority. Just like art it has fallen off its pedestal. Legal, educational and constitutional systems rigidly subscribe to these; they are 100% text based.