Director: Michale Boganim
Cast: Esther Hossid, Victoria Lesina, David Varer
France, Israel, color, 2004, 102’
Russian, Yiddish, Hebrew, English with Turkish subtitles

Michale Boganim, a young Franco-Israeli filmmaker, follows the journeys of Odessa’s Jewish community, exiled from Israel and the United States. She offers a nostalgic and touching triptych of these cities in three colors: blue Odessa, with the faded beauty of an old city, Little Odessa, a Russian enclave in brick-colored New York, and Ashdod, a glaringly white mushroom town that has strung up in the Israeli desert.

Odessa...Odessa!

Odessa...Odessa!

Nostalgia For The Light

Nostalgia For The Light

The Hour Of Berger

The Hour Of Berger

Land Of The Wandering Souls

Land Of The Wandering Souls

Drowned In Oblivion

Drowned In Oblivion

Midnight Horror Stories: The Last Ferry <br> Galip Dursun

Midnight Horror Stories: The Last Ferry
Galip Dursun

I remembered a game as I was waiting in the passenger lounge for the ferry to arrive just a few minutes ago. A game we used to play at home when I was young, in my country that is very far away from here, a relic from the distant past; I don’t even remember how we used to play it. The kind of game that makes me feel a thousand times lonelier than I already am among the crowd waiting to get on the ferry.

Fluid Rego

Fluid Rego

While Paula Rego belatedly was recognised as one of the leading feminist pioneers of her age, little has been written about her exploration of fluid sexuality. Indeed the current of sado-masochism in her drawings and paintings, has tended to encourage an understanding as a classic clash between the patriarchy and exploited women.

Return from Vienna

Return from Vienna

Józef Brandt harboured a fascination for the history of 17th century Poland, and his favourite themes included ballistic scenes and genre scenes before and after the battle proper –all and sundry marches, returns, supply trains, billets and encampments, patrols, and similar motifs illustrating the drudgery of warfare outside of its culminating moments.